The Heavenly Muse: A Preface to MiltonUniversity of Toronto Press, 1972 - 373 من الصفحات When A. S. P. Woodhouse died in 1964, he left incomplete the materials for this book. It was a project he had conceived as far back as 1942 and only realized in the form of separate essays and lectures published or delivered over the years. The essays and studies here have been judiciously edited by his colleague and former student Hugh MacCallum. This is a remarkably well-integrated sequence, clearly unified from within by Woodhouse's ripened judgment and the consistency of his approach to the whole of Milton's work. Woodhouse surveys chronologically the development from early through late poems, with intervening prose, while the backbone of the study is concerned with Milton himself--the experiences relevant to his work, the evolution of his ideas, the intellectual patterns evident in both prose and poetry; and the patterns of ideas in the poetry especially being related to Milton's life and to the aesthetic forms of particular works. Woodhouse brought to scholarship a great learning and exemplary critical gifts, which, directed at the study of Milton, have enriched our understanding of how the contexts of Milton's art give its expressions their forms and life. |
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الصفحة 19
... clearly marked , is central in the pattern of Milton's early development , and influences all his subsequent poetry . It will perhaps be useful , before entering upon more detail , to sketch the pattern of his early development in its ...
... clearly marked , is central in the pattern of Milton's early development , and influences all his subsequent poetry . It will perhaps be useful , before entering upon more detail , to sketch the pattern of his early development in its ...
الصفحة 20
... Clearly this passage has its own significance and , as clearly , some points of contact with the pattern which we are tracing . But it is a mistake to for- get its occasion and its context and to seek in it , as does Hanford , a com ...
... Clearly this passage has its own significance and , as clearly , some points of contact with the pattern which we are tracing . But it is a mistake to for- get its occasion and its context and to seek in it , as does Hanford , a com ...
الصفحة 31
... clearly states . But in thus objectifying the emotions , and imposing upon them an aesthetic pattern , the poet , in a way , establishes his ascendancy over them . This Milton does not say , but he verifies it in the poem . In the ...
... clearly states . But in thus objectifying the emotions , and imposing upon them an aesthetic pattern , the poet , in a way , establishes his ascendancy over them . This Milton does not say , but he verifies it in the poem . In the ...
المحتوى
the study of Milton | 3 |
Miltons early development | 15 |
Comus Lycidas Epitaphium Damonis | 55 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
action Adam and Eve Adam's Aeneas Aeneid aesthetic pattern angels Arcades Areopagitica argument Arian assertion beauty Book chaos character chastity Christ Christian liberty church classical Comus contrast creation ex nihilo criticism Damonis death Diodati divine divine comedy doctrine earth effect Elegy epic Epitaphium Eve's evil Faerie Queene faith fall Father glory God's service grace heaven heavenly order hell hero heroic heroism Homer human Iliad John Milton light Lycidas masque matter Milton Milton's view mind monody Muse Nativity nature obedience pagan Paradise Lost Paradise Regained parallel passage Patrem perfect poem poet poet's poetic poetry present Prolusion Puritan reader reason recognize rejects religious repentance Samson Agonistes Satan says scripture sense Socinian song sonnet soon hath Spenser Spirit symbol temptation thee theme things thir thou thought tion tradition tragedy tragic true University of Toronto verse Virgil virtue whole words