The Heavenly Muse: A Preface to MiltonUniversity of Toronto Press, 1972 - 373 من الصفحات When A. S. P. Woodhouse died in 1964, he left incomplete the materials for this book. It was a project he had conceived as far back as 1942 and only realized in the form of separate essays and lectures published or delivered over the years. The essays and studies here have been judiciously edited by his colleague and former student Hugh MacCallum. This is a remarkably well-integrated sequence, clearly unified from within by Woodhouse's ripened judgment and the consistency of his approach to the whole of Milton's work. Woodhouse surveys chronologically the development from early through late poems, with intervening prose, while the backbone of the study is concerned with Milton himself--the experiences relevant to his work, the evolution of his ideas, the intellectual patterns evident in both prose and poetry; and the patterns of ideas in the poetry especially being related to Milton's life and to the aesthetic forms of particular works. Woodhouse brought to scholarship a great learning and exemplary critical gifts, which, directed at the study of Milton, have enriched our understanding of how the contexts of Milton's art give its expressions their forms and life. |
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الصفحة 82
... final note of all is unmistakably Christian . We have been told in the body of the poem how providence in- tervenes for the protection of virtue . Now this idea , too , is gathered up into the full light of Christian revelation . Here ...
... final note of all is unmistakably Christian . We have been told in the body of the poem how providence in- tervenes for the protection of virtue . Now this idea , too , is gathered up into the full light of Christian revelation . Here ...
الصفحة 303
... final pardon Whose ear is ever open ; and his eye Gracious to re - admit the suppliant ; In confidence whereof I once again Defy thee to the trial of mortal fight , By combat to decide whose god is god , Thine or whom I with Israel's ...
... final pardon Whose ear is ever open ; and his eye Gracious to re - admit the suppliant ; In confidence whereof I once again Defy thee to the trial of mortal fight , By combat to decide whose god is god , Thine or whom I with Israel's ...
الصفحة 309
... final chorus the final chorus of Sophocles ( as it is movingly rendered by a modern translator ) : This is the end of tears : No more lament . Through all the years Immutable stands this event.1 10 It would be hard to imagine any ...
... final chorus the final chorus of Sophocles ( as it is movingly rendered by a modern translator ) : This is the end of tears : No more lament . Through all the years Immutable stands this event.1 10 It would be hard to imagine any ...
المحتوى
the study of Milton | 3 |
Miltons early development | 15 |
Comus Lycidas Epitaphium Damonis | 55 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
action Adam and Eve Adam's Aeneas Aeneid aesthetic pattern angels Arcades Areopagitica argument Arian assertion beauty Book chaos character chastity Christ Christian liberty church classical Comus contrast creation ex nihilo criticism Damonis death Diodati divine divine comedy doctrine earth effect Elegy epic Epitaphium Eve's evil Faerie Queene faith fall Father glory God's service grace heaven heavenly order hell hero heroic heroism Homer human Iliad John Milton light Lycidas masque matter Milton Milton's view mind monody Muse Nativity nature obedience pagan Paradise Lost Paradise Regained parallel passage Patrem perfect poem poet poet's poetic poetry present Prolusion Puritan reader reason recognize rejects religious repentance Samson Agonistes Satan says scripture sense Socinian song sonnet soon hath Spenser Spirit symbol temptation thee theme things thir thou thought tion tradition tragedy tragic true University of Toronto verse Virgil virtue whole words