Ben JonsonTwayne Publishers, 1979 - 233 من الصفحات |
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الصفحة 36
... perhaps his most lyrical dramatic composition . He continued writing nondramatic poetry in his last years , too , and his final poems show no great diminution of poetic power . Perhaps most remarkably , they avoid despair and ...
... perhaps his most lyrical dramatic composition . He continued writing nondramatic poetry in his last years , too , and his final poems show no great diminution of poetic power . Perhaps most remarkably , they avoid despair and ...
الصفحة 49
... perhaps for presentation at court in early February of 1605 , perhaps as late as 1612 , Jonson rewrote the play , abandoning the Italian locale and names in favor of a London setting and descriptive English names . He also tightened the ...
... perhaps for presentation at court in early February of 1605 , perhaps as late as 1612 , Jonson rewrote the play , abandoning the Italian locale and names in favor of a London setting and descriptive English names . He also tightened the ...
الصفحة 138
... perhaps even more important than the verbal and linguistic skill of the poet is the tension he generates through the balancing of various oppositions throughout his work . He sometimes depicts idealized landscapes only to intrude ...
... perhaps even more important than the verbal and linguistic skill of the poet is the tension he generates through the balancing of various oppositions throughout his work . He sometimes depicts idealized landscapes only to intrude ...
المحتوى
About the Authors | 8 |
The Comedies | 42 |
The Tragedies | 110 |
حقوق النشر | |
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achievement action actually affecting appearance attempt beauty become Ben Jonson Catiline celebration characters classical collection comedy comic complex concern contrast conventional court critical death discussion drama early Elizabethan England English English Studies Epigrams experience Face Fair father final folly foolish frequently function gives grace human Humour ideal important individual integrity interest James John Jonson King Lady language later learned less lines Literary literature lives London Lord lover lyric masque master means moral nature never offers play play's plot poem poet poet's poetry political position praise presented Queen readers reality relationship religious reveals role satiric Sejanus serious Shakespeare social society stage Studies Subtle suggest tradition tragedies true Underwood University values verse vice virtue vision Volpone whole writing young