Drama Criticism: Criticism of the Most Significant and Widely Studied Dramatic Works from All the World's Literatures, المجلد 4Gale Research Incorporated, 1994 - 536 من الصفحات Each print volume in this long-standing series profiles approximately 4-8 dramatists by providing full-text or excerpted criticism taken from books, magazines, literary reviews, newspapers and scholarly journals. Among those profiled in this volume are:
|
من داخل الكتاب
النتائج 1-3 من 86
الصفحة 196
... could with it . This was possible because a satisfactory convention had been estab- lished as to how libretti should be written , the forms for arias and ensembles , the style for opera buffa , the style for opera seria , etc. , which ...
... could with it . This was possible because a satisfactory convention had been estab- lished as to how libretti should be written , the forms for arias and ensembles , the style for opera buffa , the style for opera seria , etc. , which ...
الصفحة 218
... can be emotionally expressed to the audience in a number of theatrical op- tions . The suicide is a highly ambiguous concluding moment as well as a highly theatrical one , further complicated by Song's reappearance in men's clothes to ...
... can be emotionally expressed to the audience in a number of theatrical op- tions . The suicide is a highly ambiguous concluding moment as well as a highly theatrical one , further complicated by Song's reappearance in men's clothes to ...
الصفحة 268
... to treat the solil- oquy as satire intended by the character . The mind of Vol- pone needs to be presented as powerful and rather sinister ; to make him an earnest gold - worshipper would reduce him to a quirky eccentric . Mosca then ...
... to treat the solil- oquy as satire intended by the character . The mind of Vol- pone needs to be presented as powerful and rather sinister ; to make him an earnest gold - worshipper would reduce him to a quirky eccentric . Mosca then ...
عبارات ومصطلحات مألوفة
action actors Alchemist Alice Childress American Buffalo Aphra Aphra Behn artistic audience Bacchae Barton's Beaumarchais beauty become Behn Behn's Blanche Brick Broadway Butterfly characters Childress chorus comedy comic contemporary critics David Mamet death Dionysus drama dramatist Electra Epicoene essay date Euripides feel female Figaro Gallimard give Glass Menagerie Glengarry Glen Ross Greek Hecuba Heidi Heidi Chronicles Hofmannsthal Hofmannsthal's human Hwang Iguana Jonson Julia language literary live look Mamet marriage marry Medea ment moral mother myth nature never opera passion Pentheus person play play's playwright plot poet poetry political Polymestor production relationship review date role Rover says scene seems Sejanus sense sexual Shannon social speech stage Stanley Stella story Streetcar suggests symbol tells Tennessee Williams theater theatrical theme things tion tradition tragedy tragic truth Uncommon Women Volpone Wasserstein Williams's woman words writing York young