Drama Criticism: Criticism of the Most Significant and Widely Studied Dramatic Works from All the World's Literatures, المجلد 4Gale Research Incorporated, 1994 - 536 من الصفحات Each print volume in this long-standing series profiles approximately 4-8 dramatists by providing full-text or excerpted criticism taken from books, magazines, literary reviews, newspapers and scholarly journals. Among those profiled in this volume are:
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الصفحة 204
... audience feels more comfortable with it . Also , many of the situations in M. Butterfly are inherently comic . The comedy helps the audience to suspend its dis- belief , particularly in the face of this seemingly impossible plot . If we ...
... audience feels more comfortable with it . Also , many of the situations in M. Butterfly are inherently comic . The comedy helps the audience to suspend its dis- belief , particularly in the face of this seemingly impossible plot . If we ...
الصفحة 218
... audience in a number of theatrical op- tions . The suicide is a highly ambiguous concluding moment as well as a highly theatrical one , further complicated by Song's reappearance in men's clothes to pose as a question the same two words ...
... audience in a number of theatrical op- tions . The suicide is a highly ambiguous concluding moment as well as a highly theatrical one , further complicated by Song's reappearance in men's clothes to pose as a question the same two words ...
الصفحة 268
... audience necessarily supposes that Volpone is being satirized , since he is the only charac- ter yet in view . But an actor , however much he has been lectured by symbolist critics , feels bound to treat the solil- oquy as satire ...
... audience necessarily supposes that Volpone is being satirized , since he is the only charac- ter yet in view . But an actor , however much he has been lectured by symbolist critics , feels bound to treat the solil- oquy as satire ...
عبارات ومصطلحات مألوفة
action actors Alchemist Alice Childress American Buffalo Aphra Aphra Behn artistic audience Bacchae Barton's Beaumarchais beauty become Behn Behn's Blanche Brick Broadway Butterfly characters Childress chorus comedy comic contemporary critics David Mamet death Dionysus drama dramatist Electra Epicoene essay date Euripides feel female Figaro Gallimard give Glass Menagerie Glengarry Glen Ross Greek Hecuba Heidi Heidi Chronicles Hofmannsthal Hofmannsthal's human Hwang Iguana Jonson Julia language literary live look Mamet marriage marry Medea ment moral mother myth nature never opera passion Pentheus person play play's playwright plot poet poetry political Polymestor production relationship review date role Rover says scene seems Sejanus sense sexual Shannon social speech stage Stanley Stella story Streetcar suggests symbol tells Tennessee Williams theater theatrical theme things tion tradition tragedy tragic truth Uncommon Women Volpone Wasserstein Williams's woman words writing York young