Drama Criticism: Criticism of the Most Significant and Widely Studied Dramatic Works from All the World's Literatures, المجلد 4Gale Research Incorporated, 1994 - 536 من الصفحات Each print volume in this long-standing series profiles approximately 4-8 dramatists by providing full-text or excerpted criticism taken from books, magazines, literary reviews, newspapers and scholarly journals. Among those profiled in this volume are:
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الصفحة 138
... feel furious anger ; she does want to rip his eyes . But it is incon- ceivable that she does not feel , at the same time , the old customary impulse of trust and confidence , the loving de- sire to see him and to see herself as in him ...
... feel furious anger ; she does want to rip his eyes . But it is incon- ceivable that she does not feel , at the same time , the old customary impulse of trust and confidence , the loving de- sire to see him and to see herself as in him ...
الصفحة 204
... feel comfortable with my own work taking a strident tone , and so I think that these messages need to be delivered in a humorous context . I then feel more comfortable with the material and I think the audience feels more comfortable ...
... feel comfortable with my own work taking a strident tone , and so I think that these messages need to be delivered in a humorous context . I then feel more comfortable with the material and I think the audience feels more comfortable ...
الصفحة 308
... feel sorry for the hapless Ruth , towards whom Nick , feeling trapped by her importuning him for " commit- ment , " turns mean , then violent , finally attempting to rape her . But it's hard not to agree with him when , after endless ...
... feel sorry for the hapless Ruth , towards whom Nick , feeling trapped by her importuning him for " commit- ment , " turns mean , then violent , finally attempting to rape her . But it's hard not to agree with him when , after endless ...
عبارات ومصطلحات مألوفة
action actors Alchemist Alice Childress American Buffalo Aphra Aphra Behn artistic audience Bacchae Barton's Beaumarchais beauty become Behn Behn's Blanche Brick Broadway Butterfly characters Childress chorus comedy comic contemporary critics David Mamet death Dionysus drama dramatist Electra Epicoene essay date Euripides feel female Figaro Gallimard give Glass Menagerie Glengarry Glen Ross Greek Hecuba Heidi Heidi Chronicles Hofmannsthal Hofmannsthal's human Hwang Iguana Jonson Julia language literary live look Mamet marriage marry Medea ment moral mother myth nature never opera passion Pentheus person play play's playwright plot poet poetry political Polymestor production relationship review date role Rover says scene seems Sejanus sense sexual Shannon social speech stage Stanley Stella story Streetcar suggests symbol tells Tennessee Williams theater theatrical theme things tion tradition tragedy tragic truth Uncommon Women Volpone Wasserstein Williams's woman words writing York young