English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 43
الصفحة 103
... Henry IV and Macbeth ( 10 ) , ( 3 ) Henry VI and Henry VIII ( 8 ) , The Tempest and The Merry Wives of Windsor ( 7 ) , King John , As You Like It , Much Ado About Nothing , All's Well that Ends Well , and The Two Gentlemen of Verona ( 6 ) ...
... Henry IV and Macbeth ( 10 ) , ( 3 ) Henry VI and Henry VIII ( 8 ) , The Tempest and The Merry Wives of Windsor ( 7 ) , King John , As You Like It , Much Ado About Nothing , All's Well that Ends Well , and The Two Gentlemen of Verona ( 6 ) ...
الصفحة 278
... Henry , [ 2 ] Henry IV , IV , v ) ; Presentation of a " horrible " character ( Iago ) ; Element of chance ( the tragic end of Romeo and Juliet , and of Cordelia ) . Double plots . If allowed , must be closely connected with central plot ...
... Henry , [ 2 ] Henry IV , IV , v ) ; Presentation of a " horrible " character ( Iago ) ; Element of chance ( the tragic end of Romeo and Juliet , and of Cordelia ) . Double plots . If allowed , must be closely connected with central plot ...
الصفحة 294
... Henry IV , 4 , 6 , 8 , 40-1 , 109 , 111 , 112 , 142 ( Johnson ) , 164-7 ( Mrs. Montagu ) . Henry IV , 104 , 165 , 166 . Henry V , 17 , 20 , 39 ( opening chorus in ) , 77 ( Hanmer ) , 207 ( Blair ) . Henry V , 16 . Henry VI , 142 ...
... Henry IV , 4 , 6 , 8 , 40-1 , 109 , 111 , 112 , 142 ( Johnson ) , 164-7 ( Mrs. Montagu ) . Henry IV , 104 , 165 , 166 . Henry V , 17 , 20 , 39 ( opening chorus in ) , 77 ( Hanmer ) , 207 ( Blair ) . Henry V , 16 . Henry VI , 142 ...
المحتوى
John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young