English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 من الصفحات |
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الصفحة 133
... Johnson , the critic , but the voice of Johnson , the devout believer . Johnson does not state that morality is absent from Shakespeare's plays , but satisfies himself with the claim that it is incidental , rather than - as he felt it ...
... Johnson , the critic , but the voice of Johnson , the devout believer . Johnson does not state that morality is absent from Shakespeare's plays , but satisfies himself with the claim that it is incidental , rather than - as he felt it ...
الصفحة 144
Herbert Spencer Robinson. Many of Johnson's judgments , viewed from present- day standards , seem almost beyond explanation , so remote are they from the general feeling . But in considering the nature of Johnson's criticism of ...
Herbert Spencer Robinson. Many of Johnson's judgments , viewed from present- day standards , seem almost beyond explanation , so remote are they from the general feeling . But in considering the nature of Johnson's criticism of ...
الصفحة 282
... Johnson's merit . Importance of his Notes . Superior to all others . Not scholarly , but full of interest and human appeal . Johnson's powerful personality behind his Notes . Biographical interest in them . May still be read with ...
... Johnson's merit . Importance of his Notes . Superior to all others . Not scholarly , but full of interest and human appeal . Johnson's powerful personality behind his Notes . Biographical interest in them . May still be read with ...
المحتوى
John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young