English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 من الصفحات |
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الصفحة 80
... concerned , the Preface is almost worthless . Warburton sneers at Rowe , at Hanmer , and more especially at Theobald ... concern here . The material which belongs to the last group is only touched upon in the Preface , although it ...
... concerned , the Preface is almost worthless . Warburton sneers at Rowe , at Hanmer , and more especially at Theobald ... concern here . The material which belongs to the last group is only touched upon in the Preface , although it ...
الصفحة 168
Herbert Spencer Robinson. inate between decorum , which is concerned with manners , and morality , which is concerned with conduct . The attack on Doll is based on the conviction that her char- acter violates fundamental principles of ...
Herbert Spencer Robinson. inate between decorum , which is concerned with manners , and morality , which is concerned with conduct . The attack on Doll is based on the conviction that her char- acter violates fundamental principles of ...
الصفحة 231
... concerned with their moral and philosophical attributes , not with their dramatic quali- ties . As Colman , like Armstrong , is not a professional critic , his incidental remarks should not be subjected to severe examination . In ...
... concerned with their moral and philosophical attributes , not with their dramatic quali- ties . As Colman , like Armstrong , is not a professional critic , his incidental remarks should not be subjected to severe examination . In ...
المحتوى
John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young