English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 من الصفحات |
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الصفحة 103
... expression . He seems to have regarded literature , and art in general , largely as a medium for the illustration of good conduct . His critical judgments are almost always accompanied with moral reflections . Frequently he condemns ...
... expression . He seems to have regarded literature , and art in general , largely as a medium for the illustration of good conduct . His critical judgments are almost always accompanied with moral reflections . Frequently he condemns ...
الصفحة 216
... expression of his true thoughts on these topics might lead to his betrayal . Con- sistent to this principle , Hamlet ordinarily avoids the subjects which have contributed to disorganize his mind , but , lacking the firmness of Edgar ...
... expression of his true thoughts on these topics might lead to his betrayal . Con- sistent to this principle , Hamlet ordinarily avoids the subjects which have contributed to disorganize his mind , but , lacking the firmness of Edgar ...
الصفحة 277
... expression of sor- row that his own horse has carried Bolingbroke . Shake- speare's knowledge of human nature superior to that of philosophers . Illustrated by attitude of Posthumus and Othello . Additional illustrations from forest ...
... expression of sor- row that his own horse has carried Bolingbroke . Shake- speare's knowledge of human nature superior to that of philosophers . Illustrated by attitude of Posthumus and Othello . Additional illustrations from forest ...
المحتوى
John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
حقوق النشر | |
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ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young