English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 من الصفحات |
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الصفحة 212
... manner of Richardson , but on a smaller scale . In the Mirror ( Number 99 , Tuesday , April 18 , 1780 ) , Mackenzie deals with the character and tragedy of Ham- let . He opens with the general observations that criticism is subject to ...
... manner of Richardson , but on a smaller scale . In the Mirror ( Number 99 , Tuesday , April 18 , 1780 ) , Mackenzie deals with the character and tragedy of Ham- let . He opens with the general observations that criticism is subject to ...
الصفحة 217
... manner on the surface and may indulge in witticisms in a period of deep distress . The Hamlet - type is a dual personality : one , nursing its dark outlook , detaches itself from the concerns of common life ; the other , putting aside ...
... manner on the surface and may indulge in witticisms in a period of deep distress . The Hamlet - type is a dual personality : one , nursing its dark outlook , detaches itself from the concerns of common life ; the other , putting aside ...
الصفحة 229
... manner as to force not only admiration , —which carries no suggestion of moral approval , -but even sympathy : It will be sufficient to observe , that in the catastrophe of Richard nothing can be more glowing than the scene , noth- ing ...
... manner as to force not only admiration , —which carries no suggestion of moral approval , -but even sympathy : It will be sufficient to observe , that in the catastrophe of Richard nothing can be more glowing than the scene , noth- ing ...
المحتوى
John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young