English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 من الصفحات |
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الصفحة 49
... person which was not in Nature , a boldness which , at first sight , would appear intolerable ; for he makes him a species of himself , begotten by an incubus on a witch ; but this . is not wholly beyond the bounds of credibility , at ...
... person which was not in Nature , a boldness which , at first sight , would appear intolerable ; for he makes him a species of himself , begotten by an incubus on a witch ; but this . is not wholly beyond the bounds of credibility , at ...
الصفحة 58
... person to find fault with the editorial methods of his predecessors . Still not desiring to stress ignorance as a plea , Pope puts forward three other claims in defence of Shakespeare : ( i ) as a playwright who made his living by ...
... person to find fault with the editorial methods of his predecessors . Still not desiring to stress ignorance as a plea , Pope puts forward three other claims in defence of Shakespeare : ( i ) as a playwright who made his living by ...
الصفحة 71
... person possessing these qualities , Morris comes to Falstaff , whose excellency is that he is both a wit and a humorist . For the sake of his wit , we excuse his cowardice , which itself is an occasion for his wit . In his character ...
... person possessing these qualities , Morris comes to Falstaff , whose excellency is that he is both a wit and a humorist . For the sake of his wit , we excuse his cowardice , which itself is an occasion for his wit . In his character ...
المحتوى
John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young