English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 43
الصفحة 75
... spirit . Morris ' last words on the jovial knight may stand as a text which voices the general opinion of his time , and which later criticism has not been able to out - do in warmth : it is impossible to be tir'd or dull with the gay ...
... spirit . Morris ' last words on the jovial knight may stand as a text which voices the general opinion of his time , and which later criticism has not been able to out - do in warmth : it is impossible to be tir'd or dull with the gay ...
الصفحة 120
... spirit - not , it must regretfully be admitted , universal in his day - in which Beattie approaches Shakespeare , and the spirit by which to be guided in estimating the worth of his observations . 10 p . 185 . SAMUEL JOHNSON ( 1709-1784 ) ...
... spirit - not , it must regretfully be admitted , universal in his day - in which Beattie approaches Shakespeare , and the spirit by which to be guided in estimating the worth of his observations . 10 p . 185 . SAMUEL JOHNSON ( 1709-1784 ) ...
الصفحة 190
... spirit , the joy , the sympathy , and the style of Falstaff's first and greatest champion were far above the reach of the " classical " professor . The essay is in three parts , of which the first sets forth a series of philosophical ...
... spirit , the joy , the sympathy , and the style of Falstaff's first and greatest champion were far above the reach of the " classical " professor . The essay is in three parts , of which the first sets forth a series of philosophical ...
المحتوى
John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
حقوق النشر | |
9 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young