English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 من الصفحات |
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الصفحة 160
... statement , later confirmed by Baretti , ' that Voltaire did not understand the words of Shakespeare , from which it follows that he certainly " could not enter into his meanings . " In considering the justness of this accusation , it ...
... statement , later confirmed by Baretti , ' that Voltaire did not understand the words of Shakespeare , from which it follows that he certainly " could not enter into his meanings . " In considering the justness of this accusation , it ...
الصفحة 181
... statement that In Richard , it [ courage ] is intrepidity , and in Macbeth no more than resolution : in him it proceeds from exertion , not from nature ; in enterprise he betrays a degree of fear , though he is able , when occasion ...
... statement that In Richard , it [ courage ] is intrepidity , and in Macbeth no more than resolution : in him it proceeds from exertion , not from nature ; in enterprise he betrays a degree of fear , though he is able , when occasion ...
الصفحة 236
... statement from its context , and considering it in isolation , a false importance is given to it which it does not possess when placed in the essay of which it forms a part , and , usually , a small one . This applies with especial ...
... statement from its context , and considering it in isolation , a false importance is given to it which it does not possess when placed in the essay of which it forms a part , and , usually , a small one . This applies with especial ...
المحتوى
John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
accept acter action Addison admiration Æschylus appreciation artistic attempt beauties Caliban characters classical Coleridge Colman comedy comic Coriolanus Corneille declares defects defence Dennis discussion dramatic dramatist Dryden edition English enthusiastic Essay Euripides excellence expression Falstaff faults feeling Gildon Greek Hamlet Hanmer Hazlitt Henry Henry IV historical Homer Hughes imagination importance interest John Johnson judgment Julius Caesar Kames King Lear lack Lear's learning literary Macbeth Mackenzie Merchant of Venice merits method Montagu moral Morgann nature Number observations original Othello passage passion plot poet poetic poetic justice poetry Pope Pope's praise Preface qualities regarded remarks Richard Richard III Richardson romantic Rowe Rowe's rules Rymer scene sentiments Shake Shakespeare Shakespeare's genius Shakesperian criticism soliloquy Sophocles speare speare's Spectator speech stage statement Steele's sublime superior taste Tatler textual criticism Theobald Thomas Purney tion tragedy tragic Unities verse violation Voltaire Voltaire's Warburton Warton Whately Witches writers Young's Zachary Grey