ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
طبعات أخرى - عرض جميع المقتطفات
ABBOTT action affection appears Autolycus bear beauty better Bohemia called Camillo character child Coll COLLIER Court Crit daughter death Dorastus doubt Dyce edition editors Enter examples expression eyes father Fawnia feare feel Folio fortune given gives hand hath haue heart Hermione honour Huds Johns JOHNSON King Ktly Lady Leontes London look Lord MALONE means mind nature never original passage Paulina Perdita perhaps phrase play Polixenes Pope possibly present Prince printed probably queen quotes Rann reason refers remarks Rowe says scene Second seems sense Shakespeare Shepherd Sing speak speech Steev STEEVENS supposed Tale thee Theob thing thou thought true WALKER Warb WHITE whole wife Winter's
الصفحة 34 - This is the excellent foppery of the world, that, when we are sick in fortune, often the surfeit of our own behaviour, we make guilty of our disasters the sun, the moon, and the stars...
الصفحة 381 - From the narrow limitation of time necessarily arises the contraction of place. The spectator who knows that he saw the first act at Alexandria cannot suppose that he sees the next at Rome, at a distance to which not the dragons of Medea could in so short a...
الصفحة 145 - Your worm is your only emperor for diet. We fat all creatures else to fat us, and we fat ourselves for maggots. Your fat king and your lean beggar is but variable service — two dishes, but to one table. That's the end.
الصفحة 380 - ... gave him such delight that he was content to purchase it by the sacrifice of reason, propriety, and truth. A quibble was to him the fatal Cleopatra for which he lost the world and was content to lose it. It will be thought strange...
الصفحة 381 - Delusion, if delusion be admitted, has no certain limitation; if the spectator can be once persuaded, that his old acquaintance are Alexander and Caesar, that a room illuminated with candles is the plain of Pharsalia, or the bank of Granicus, he is in a state of elevation above the reach of reason, or of truth, and from the heights of empyrean poetry, may despise the circumscriptions of terrestrial nature.
الصفحة 60 - Canst thou bind the sweet influences of the Pleiades, Or loose the bands of Orion? Canst thou bring forth Mazzaroth in his season? Or canst thou guide Arcturus with his sons?
الصفحة 382 - The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.
الصفحة 381 - He has not, indeed, an intrigue regularly perplexed and regularly unravelled : he does not endeavour to hide his design only to discover it, for this is seldom the order of real events, and Shakespeare is the poet of nature; but his plan has commonly, what Aristotle requires, a beginning, a middle, and an end ; one event is concatenated with another, and the conclusion follows by easy consequence.
الصفحة 381 - The objection arising from the impossibility of passing the first hour at Alexandria and the next at Rome supposes that, when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this may imagine more.
الصفحة 380 - By and by we hear news of shipwreck in the same place, and then we are to blame if we accept it not for a rock. Upon the back of that comes out a hideous monster, with fire and smoke, and then the miserable beholders are bound to take it for a cave. While in the meantime two armies fly in, represented with four swords and bucklers, and then what hard heart will not receive it for a pitched field?