The Shakespeare Company, 1594-1642Cambridge University Press, 15/04/2004 - 339 من الصفحات This is the first complete history of the theatre company, created in 1594, which in 1603 became the King's Men. Shakespeare was at the heart of the team of players, who with their successors ran an operation that lasted until the theatres closed in 1642. During these forty-eight years they staged all of Shakespeare's plays, a number of Ben Jonson's, those of Thomas Middleton and John Webster, and almost all of the Beaumont and Fletcher canon. Andrew Gurr provides a comprehensive history of the company's activities. A chapter on their finances explains the unique management system they adopted and two chapters study the fashions in their repertory and the complex relationship with their royal patrons. The six appendixes identify the 98 players who worked in the company, the 167 plays they are known to have owned and performed, as well as the key documents from the company's history. [from Publisher description]. |
من داخل الكتاب
النتائج 1-5 من 51
الصفحة i
... Writers in Exile , Playgoing in Shakespeare's London ( Cambridge ) , also about to appear in a third edition , The Shakespearian Playing Companies , and ( with Mariko Ichikawa ) Staging in Shakespeare's Theatres . THE SHAKESPEARE ...
... Writers in Exile , Playgoing in Shakespeare's London ( Cambridge ) , also about to appear in a third edition , The Shakespearian Playing Companies , and ( with Mariko Ichikawa ) Staging in Shakespeare's Theatres . THE SHAKESPEARE ...
الصفحة xiv
... writers lamented . Every play had its first publication on stage by the company . Printed texts came later and rarely show exactly what playgoers to the Globe or Blackfriars saw and heard . The company was the real author of the 168 ...
... writers lamented . Every play had its first publication on stage by the company . Printed texts came later and rarely show exactly what playgoers to the Globe or Blackfriars saw and heard . The company was the real author of the 168 ...
الصفحة xv
... writers and of features like the company finances and the players ' personalities , that is because they are less familiar . That is the price of the Shakespeare presence . It gives value to the context that brought the plays into being ...
... writers and of features like the company finances and the players ' personalities , that is because they are less familiar . That is the price of the Shakespeare presence . It gives value to the context that brought the plays into being ...
الصفحة 14
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 36
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
المحتوى
The plan of 1594 | 3 |
The team | 14 |
The social eminence of the Blackfriars | 31 |
The basis for success | 33 |
The companys work | 43 |
Stage practices and dress | 47 |
The changing personality | 51 |
Travelling | 56 |
Royal support | 176 |
The case of Richard II | 180 |
Jacobean politics | 182 |
The politics of Beaumont and Fletcher | 189 |
Caroline interventions | 192 |
Later political consequences of royalism | 198 |
The afterlife | 202 |
The immediate afterlife | 203 |
Jigs | 71 |
Music and musicians | 80 |
Will money buy em? company finances | 87 |
The ChamberlainsKings Mens company accounts | 92 |
Housekeeper finances | 113 |
Workes are playes the public repertory | 122 |
The Shakespearean sequence | 132 |
Later innovations | 150 |
Along the way | 163 |
Royal loyalties | 169 |
The longer afterlife | 212 |
The players | 219 |
Documents about the company | 249 |
The Sharers Papers | 273 |
The repertory | 283 |
Surviving playtexts | 291 |
Court performances | 304 |
310 | |
328 | |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
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