only, on occasion of a cart-wheel going over my leg, and the populace was up in arms, as if I had betrayed some marks of flightiness in my conversation. Really our case is one which calls for the interference of the chancellor. He should see, as in cases of other lunatics, that commissions are only issued out against proper objects; and not a whole race be proscribed, because some dreaming Chaldean, two thousand years ago, fancied a canine resemblance in some star or other, that was supposed to predominate over addle brains, with as little justice as Mercury was held to be influential over rogues and swindlers; no compliment I am sure to either star or planet. Pray attend to my complaint, Mr. Editor, and speak a good word for us this hot weather. Your faithful, though sad dog, POMPEY. This "sad dog" is a “sensible dog," and must know, that England is by no means favourable to him or his fellowcreatures. Dogs here are mostly the of property persons who by "training," and "working," and "fighting" them, drive many of them mad, and render every dog at this season an object of fear. They have, at present, the right to do wrong to dogs, and the liberty of making them as brutal as themselves. If a few of these dog-masters were tied up, as an example to others, dogs might have rights and liberties. The condition of the lower animals will improve with the subjugation of the passions in the master-animal, man. ARCHITECTURE OF THE NEW CHURCHES. For the Every-Day Book. Taking into consideration the competition excited amongst architects by the public advertizing for designs for the new churches, it might reasonably have been expected that greater specimens of genius would have been elicited, and more variety displayed in the elevations than we From whatever cause it at present see. arises, whether from the interference of individual partiality, or the predominating influence of a bad taste, it is certain that a tameness of design is too generally apparent in these buildings. Mr. Grey Bennett, speaking of the church in Langham-place, in the house of commons said, "that it was deplorable, a horrible object, and never had he seen so shameful a disgrace to the metropolis. It was like a flat candlestick with an extinguisher on it. He saw a great number of churches building, of all of which it might be said, that one was worse than the other; it seemed as if an adventurous spirit of architecture prevailed, and that its professors had resolved to follow nothing that had ever appeared before, and to invent nothing new that was not purely absurd. No man who knew what architecture was, would have put up the edifices he alluded to, and which disgusted every body, while it made every body wonder who could be the asses that planned, and the fools that built them."* These remarks are upon the whole, perhaps, too severe and sweeping. The greatest fault in the new churches is the want of variety; the eye is tired with the repetition of the same design, and looks with eagerness for something to relieve the general monotony. We have before us so many examples of good church-building, that the spectator is more fastidious in his judgment upon any new specimen, and is led to judge of its merits by comparison with some favourite design, rather than by an examination of its intrinsic beauties or defects: in this view the new churches have not been fairly treated. Much has been written on the style of architecture most proper for churches. The balance of argument is in favour of the gothic. Architects would decide for the Grecian, but their judgments are so biassed by education, that very few who look at the subject professionally, are likely to form an opinion upon it of any value. If the beauty of a building consists in its appropriateness to the objects for which it is intended, then the gothic style will ever bear away the palm when put into competition with the Greek or Roman architecture for ecclesiastical edifices. By gothic architecture it should here be understood, that the fashionable mode of building, correctly styled "modern gothic," is not referred to. So widely different is it from the correct and beautiful architecture which it professes to imitate, that it may with great justness be called a new order. The late Mr. Carter, than whom, no man ever entered into the spirit of gothic architecture with more attention, or ever understood its The Times, March 31, 1824. properties and beauties more soundly, very justly called this splendid invention of modern genius, the "fantastic order;" the correctness of the cognomen is now so far acknowledged, that even architects are giving up this their favourite child, and endeavouring to assume a greater just ness of detail, and form a closer imitation of the genuine style. From the reports of the commissioners for building new churches, it appears that the gothic style is adopted in the majority of those churches built in the country; in the environs of the metropolis but in a very few instances. This is to be lamented; it would have been more desirable. had the gothic churches been allowed to have borne a proportion to the others, at least of one in three. It has been often urged, that the rejection of this style arises from the expensiveness of its details. To show at once how little weight there is in this objection, let any one contrast the splendid gothic church lately erected at Chelsea, rich in crockets and mullions, with its stone roof, and pinnacled tower, against the frigid ionic temple built for the parish of St. Pancras. The estimate of the first is, perhaps, little more than a third of the cost of the latter building; the dimensions are at least equal; and which of these buildings displays the most ornament? In the one much money is consumed in delicate mouldings and rich friezes; delicate, minute, and scarcely seen embellishments, which the smoke and damp of a London atmosphere will soon fill with dirt, while it will corrode the composition in which they are worked. In the other, though the gothic detail is marked with a want of coldness, yet what ornament is introduced shows to advantage, and is more calculated to endure than the other. The gothic style in detail is bold and conspicuous, and a little money laid out in embellishment with judgment goes a long way-witness the beautiful chapel at Mile-end, which proves beyond all dispute, that even an ornamented gothic building can be erected at a very limited expense. The architect was the late Mr. Walters, and had he built nothing more than this chapel, he would be entitled to have ranked high in his profession. Another edifice in the gothic style may be worth notice as affording a striking contrast to that last mentioned, this is a church now building in Somers-town. Its only characteristics are meanness and poverty; the style re sembles that of a Chinese summer-house, without its lightness; it is clumsy where solidity is required, and possesses not one redeeming quality to atone for the many absurdities it contains. As to the Grecian architecture of the present day, it is much a matter of question, whether the style of many of the new churches is not as much removed from the original as the gothic I have complained of. It would, however, occupy too much time to inquire into the classical authorities to warrant many of these edifices, and it is very questionable whether many of their architects have done so. It has already been remarked that, a great sameness appears in the new churches. This is in a great measure to be attributed to the designs of the steeples being cramped by the style, which admits of little more than a square tower supporting a circular or polygonal story. It is, however, rather an error of choice than the effect of necessity; the architect does not appear to have been guided by what he can or cannot do; but a want of energy seems the principal cause; he forms a design and fears to deviate from it. This may be exemplified in the three churches erected from Mr. Smirke's designs, at Wandsworth, Bryanstone-square, and West Hackney. In all, the same design is seen; the same round tower, the same cupola, differing only in height and situation. The bodies of the churches too are so strikingly similar, that the spectator cannot help feeling disappointment from the plainness of the designs and their want of variety; it is not what he has been led to expect from an architect of the eminence to which Mr. Smirke has been raised. The same observations apply even more forcibly to four churches in Surrey: viz. Camberwell, Norwood, Trinity church, Newington, and St. John's in the Waterloo-road. The steeples of the three latter, as originally designed, would have been exact copies of each other. The first differs but little. The last named church has the good fortune to have had a spire added, as far superior to the others, as it is to the generality of the modern designs. The bodies of all these churches are so closely copied that it would be a difficult matter to point out in what respect they differ. It will be almost needless to add, that the whole four are the work of one architect, Mr. Bedford, of Camberwell. It is not only the sameness of design, but the sameness of style, which I complain of. Though Grecian edifices may be tolerated amidst modern houses, as assimilating with their architecture, they are out of all character in the country. Lambeth parish for instance has built four churches. The Grecian style prevails in the whole, and though the buildings are creditable to their architects, yet, in the case of Brixton, which is certainly a very chaste and pretty doric church, and does honour to the genius of Mr. Porden, and at Norwood, where in every point of view at the least distance, and particularly the latter place, the steeples are seen in connection with trees and country scenery, the pepper-box towers remind the spectator more of pigeon-houses than church steeples; and he, to whom the sight of a villagespire brings almost enthusiastic feelings, and an earnest desire of arriving at it, would scarce bestow any notice on these modern and unappropriate objects. Let the town and the city retain the portico and the dome, the country claims the gothic spire, the mullioned window, and the buttressed wall; but things are now reversed and changed from their natural order. The slender pointed spire is now made to terminate à splendid street of modern houses, where it appears as awkward as the cupola does amidst fields and hedges. Mr. Nash is to build a gothic church at Haggerstone, and let us hope he will atone for his fault at the west, by bestowing a more orthodox steeple upon the eastern erection. Mr. Soane is the architect of Walworth church, which is the first specimen of his ecclesiastical structures; it differs from the generality of new churches, in having a range of arches rising from the parts of the galleries, dividing the structure longitudinally into three aisles, in the style of the older churches. It formed one of the groupes of churches exhibited by this gentleman at Somerset-house in the present year. One recommendation it has, and that by no means a trifling one; the voice of the clergyman may be distinctly heard in every part of the building without the least echo or indistinctness, a fault very common in large buildings. It would occupy too much space to notice, even briefly, every new church. In regard to steeples, that of the new church building at Hoxton (architect Edwards) is one of the prettiest designs of the modern school of cupolas; and the spire of St. Paul's, Shadwell, of which Mr. Walters, before spoken of, was the architect, forms a brilliant exception; it is closely formed on the model of Bow steeple, but there are some variations so pleasing, that the design may justly be said to be the architect's own propertyhe has followed sir Christopher Wren without copying him. The spire at Poplar is a fine object, but decidedly inferior to the last, inasmuch as it diminishes more abruptly. The steeple attached to St. John's church, in the Waterloo-road, is a very finely proportioned erection, and shows exceedingly well from the Strand and the Temple-gardens; those who have seen an engraving of this church with the tower originally designed for it, will see what has been gained by the exchange. There are more new churches still to be built; let us hope then, that the architects who may be selected to erect them, having seen the faults and defects of their predecessors, will produce something better; or, at least, that their designs will differ from the generality of those already built, if only for the sake of variety. In conclusion, the writer has only to add, that much more might be said both on old and new churches; it is a subject which has more than once employed his pen; he feels, however, that he has already occupied a larger space than he is entitled to do, if he has trespassed on your readers patience he has to beg their pardon; his excuse is, that the subject is a favourite one. E. I. C. July, 1825. A HOT LETTER For Captain Lion, Brighton. I anticipated a sojournment in your "neat little country cottage" during your absence, with more pleasure than I expressed, when you made me the offer of it. I imagined how much more comfortable I should be there, than in my own out-of-town single-room. I was mistaken. I have been comfortable nowhere. The malignity of an evil star is against me; I mean the dog-star. You recollect the heat I fell into during our Hornsey walk. I have been hot ever since, "hissing hot, think of that Master Brook;" I would that thou wert really a brook, I would cleave thy bosom, and, unless thou wert cool to me, I would not acknowledge thee for a true friend. After returning from the coach wherein you and your lady-cousin departed, I "larded the lean earth" to my own house in town. That evening I got into a hackney coach to enjoy your "cool" residence; but it was hot; and there was no "cool of the evening;" I went to bed hot, and slept hot all night, and got up hot to a hot tea-breakfast, looking all the while on the hot print opposite, Hogarth's "Evening," with the fat hot citizen's wife sweltering between her husband and the New River, the hot little dog looking wistfully into the reachless warm water, her crying hot boy on her husband's stick, the scolding hot sister, and all the other heats of that ever-to-be-warmly-admired engraving. The coldest picture in the room, to my heated eye, was the fruit-piece worked in worsted-worsted in the dog-days! How I got through that hot day I cannot remember. At night, when, according to Addison," evening shades prevail," the heat prevailed; there were no "cool" shades, and I got no rest; and therefore I got up restless, and walked out and saw the morning star, which I suppose was the dog-star, for I sought coolness and found it not; but the sun arose, and methought there was no atmosphere but burning beams; and the metropolis poured out its heated thousands towards the New River, at Newington; and it was filled with men, and boys, and dogs; and all looked as "comfortable" as live eels in a stew pan. I am too hot to proceed. What a summer! The very pumps refuse "spring water; and, I suppose, we shall have no more till next spring. My heart melts within me, and I am not so inhuman as to request the servant to broil with this letter to the post-office, but I have ordered her to give it to the newsman, and ask him to slip it into the first letter-box he passes, and to tell him, if he forgets, it is of no consequence, and in no hurry; he may take it on to Ludgate-hill, and Mr. Hone, if he please, may print it in his Every-Day Book. I dare say he is too hot to write, and this may help to fill up; so that you'll get it, at any rate. I don't care if all the world reads it, for the hot weather is no secret. As Mr. Freeling cannot say that printing a letter is privately convey Well, Duncomb, how will be the weather? Dunstable Larks. The larks which are caught at Dunstable are unequalled for their size and richness of flavour. Their superiority is said to be owing in a great measure to the chalky soil. On their first arrival they are very lean and weak, but they recover in a short time, and are braced and fattened by picking considerable quantities of the finest particles of chalk with their food. They are usually taken in great quantities, with trammelling nets, on evenings and mornings, from Michaelmas to February. When dressed and served up at some of the inns in the town," in great perfection, by a peculiar and secret method in the process of cooking them," they are admired as a luxury by travellers during the time they are in season; and by an ingenious contrivance in their package, they are sent ready dressed to all parts of England. He was of noble parentage, and also called Swithun, or in the Saxon language Swithum. He received the tonsure in the church at Winchester, and became a monk in the old monastery there, of which, after being ordained priest, he was made provost or dean. He studied grammar, philosophy, and theology. For his learning and virtue, Egbert, king of England, appointed him his priest, in which character he subscribed a charter to the abbey of Croyland, in 833. Egbert also committed to him the education of his son Ethelwolf, who on succeeding to the throne procured Swithin to be chosen bishop of Winchester in 852. Tithes were established in England through St. Swithin, who prevailed on Ethelwolf to enact a law, by which he gave the tenth of the land to the church, on condition that the king should have a prayer said for his soul every Wednesday in all the churches for ever. Ethelwolf solemnized the grant by laying the charter on the altar of St. Peter at Rome, in a pilgrimage he made to that city, and by procuring the pope to confirm it. St. Swithin died on the 2d of July, 862, in the reign of king Ethelbert, and he was buried, according to his own order, in the churchyard. Alban Butler, from whom these particulars are related, affirms the translation of his relics into the church a hundred years afterwards, and refers to the monkish historians for the relation of" such a number of miraculous cures of all kinds wrought by them, as was never known in any other place." His relics were afterwards removed into the cathedral of Winchester, on its being built under William the Conqueror. It was dedicated to the Holy Trinity, under the patronage of St. Peter, afterwards to St. Swithin, in 980, and was called St. Swithin's until Henry VIII. ordered it to be called by the name of the Holy Trinity. No. 31. Among the notable miracles alleged to have been worked by St. Swithin is this, that after he had built the bridge at her lap full of eggs, which a rude fellow Winchester, a woman came over it with broke, but the woman showed the eggs to the saint, who was passing at the time, and he lifted up his hand and blessed the eggs, " and they were made hole and sounde." To this may be added another story; that when his body was translated, or removed, two rings of iron, fastened on his grave-stone, came out as soon as they were touched, and left no mark of their place in the stone; but when the stone was taken up, and touched by the rings, they of themselves fastened to it again.* St. Swithin's Day. "If it rains on St. Swithin's day, there will be rain the next forty days afterwards." The occasion of this old and well-known saying is obscure. In Mr. Douce's interleaved copy of Brand's "Popular Antiquities," there is a printed statement" seemingly cut out of a newspaper" cited, in the last edition of Mr. Brand's work, thus:-" In the year 865, St. Swithin, bishop of Winchester, to which rank he was raised by king Ethelwolfe, the dane, dying, was canonized by the then pope. He was singular for his desire to be buried in the open churchyard, and not in the chancel of the minster, as was usual with other bishops, which request was complied with; but the monks, on his being canonized, taking it into their heads that it was disgraceful for the saint to lie in the open churchyard, resolved to remove his body into the choir, which was to have been done with solemn procession on the 15th of July. It rained, however, so violently on that day, and for forty days succeeding, as had hardly ever been known, which made them set aside their design as heretical and blasphemous: and, instead, they erected a chapel over his grave, at which many miracles are said to have been wrought." Also in "Poor Robin's Almanac" for 1697, the saying, together with one of the miracles before related, is noticed in these lines : "In this month is St. Swithin's day; On which, if that it rain, they say Golden Lægend. |