The Sixth Reader: Consisting of Extracts in Prose and Verse, with Biographical and Critical Notices of the Authors : for the Use of Advanced Classes in Public and Private SchoolsBrewer and Tileston, 1866 - 436 من الصفحات |
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الصفحة v
... Pitch Volume ..... Stress Quality of Voice . Mixed Emotions Physical Culture .. Vocal Culture .. Natural Expression DIDACTIC . PROSE . LESSON 1. The Contrast : or Peace and War .. 3. The Discontented Pendulum .... 15. Excuses for ...
... Pitch Volume ..... Stress Quality of Voice . Mixed Emotions Physical Culture .. Vocal Culture .. Natural Expression DIDACTIC . PROSE . LESSON 1. The Contrast : or Peace and War .. 3. The Discontented Pendulum .... 15. Excuses for ...
الصفحة xx
... Pitch , ' with its variety of key - note , ' ' compass , ' and ' melody . ' 5. ' Volume , ' with more or less ' fulness ' of tone . " 6. ' Stress , ' or the different kinds of force , as abrupt , ' or ' smooth , ' or as given to ...
... Pitch , ' with its variety of key - note , ' ' compass , ' and ' melody . ' 5. ' Volume , ' with more or less ' fulness ' of tone . " 6. ' Stress , ' or the different kinds of force , as abrupt , ' or ' smooth , ' or as given to ...
الصفحة xliv
... PITCH . 1. The standard pitch ' or ' key - note . ' 2. The relative pitch ' or ' melody . ' The middle pitch is the natural key - note for unemotional , ' ' bold , ' and ' noble ' pieces . A higher pitch is the natural key- note for ...
... PITCH . 1. The standard pitch ' or ' key - note . ' 2. The relative pitch ' or ' melody . ' The middle pitch is the natural key - note for unemotional , ' ' bold , ' and ' noble ' pieces . A higher pitch is the natural key- note for ...
الصفحة xlv
... pitch on consecutive emphatic words also be agreeably varied . Our limited space will not allow us to mark the many possible permutations of pitch , which may constitute natural melody . We will only repeat the important general ...
... pitch on consecutive emphatic words also be agreeably varied . Our limited space will not allow us to mark the many possible permutations of pitch , which may constitute natural melody . We will only repeat the important general ...
الصفحة xlvi
... pitch ' and less than ' moderate compass . ' “ And , — when I am forgotten , as I shall be , And sleep in dull cold marble , where no mention Of me more must be heard of , say I taught thee ; Say , Wolsey , that once trod the ways of ...
... pitch ' and less than ' moderate compass . ' “ And , — when I am forgotten , as I shall be , And sleep in dull cold marble , where no mention Of me more must be heard of , say I taught thee ; Say , Wolsey , that once trod the ways of ...
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abrupt stress admirable arms battle beauty blessed bold born breath called cataract character circumflex clouds dark dead death deep earth elocution eloquence emphatic England example expression falling slide Farne Islands feeling fire flowers force forever gentle give glorious glory grace Grace Darling grave Greece hand Harvard College heard heart heaven Helvellyn hill honor hope hour Hubert human ideas irreligion Ivanhoe joyous king land liberty light live Longstone look Lord loud Massachusetts median stress mind mother mountain natural never night noble o'er pauses phatic pieces pitch poems poet poetry pure quality resonant consonants Rip Van Winkle rising rock scene Scotland sentiment shore SIR WALTER SCOTT smooth stress soul sound spirit sweet syllables tell thee thine thou thought tion tone truth unemotional unemphatic voice waves words Yale College
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الصفحة lxv - How sweet the moonlight sleeps upon this bank ! Here will we sit and let the sounds of music Creep in our ears; soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold.
الصفحة lxiv - What thou art, we know not ; What is most like thee ? From rainbow clouds there flow not Drops so bright to see, As from thy presence showers a rain of melody.
الصفحة 364 - Thy waters wasted them while they were free, And many a tyrant since; their shores obey The stranger, slave, or savage; their decay Has dried up realms to deserts: — not so thou, Unchangeable save to thy wild waves' play — Time writes no wrinkle on thine azure brow — Such as creation's dawn beheld thou rollest now.
الصفحة 406 - The breezy call of incense-breathing morn, The swallow twittering from the straw-built shed, The cock's shrill clarion, or the echoing horn, No more shall rouse them from their lowly bed.
الصفحة 418 - But yesterday the word of Caesar might Have stood against the world ; now lies he there, And none so poor to do him reverence.
الصفحة 229 - This many summers in a sea of glory, But far beyond my depth: my high-blown pride At length broke under me and now has left me, Weary and old with service, to the mercy Of a rude stream, that must for ever hide me.
الصفحة 418 - Ingratitude, more strong than traitors' arms, Quite vanquished him. Then burst his mighty heart, And in his mantle muffling up his face, Even at the base of Pompey's statue, (Which all the while ran blood), great Caesar fell.
الصفحة 286 - Jura, whose capt heights appear Precipitously steep; and drawing near, There breathes a living fragrance from the shore, Of flowers yet fresh with childhood ; on the ear Drops the light drip of the suspended oar, Or chirps the grasshopper one good-night carol more...
الصفحة 406 - For them no more the blazing hearth shall burn Or busy housewife ply her evening care, No children run to lisp their sire's return Or climb his knees the envied kiss to share.
الصفحة 231 - Cromwell, I did not think to shed a tear In all my miseries; but thou hast forced me, Out of thy honest truth, to play the woman. Let's dry our eyes: and thus far hear me, Cromwell; And, when I am forgotten, as I shall be, And sleep in dull cold marble, where no mention Of me more must be heard of, say, I taught thee...