To Present the Pretence: Essays on the Theatre and Its Public ...Eyre Methuen, 1977 - 216 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 11
الصفحة 104
... developed a style of writing and presenting the plays which makes it impossible for even non - believers like ourselves to ignore the temporary manifestation of divine forces upon the stage . Between ' divine force ' and ' human force ...
... developed a style of writing and presenting the plays which makes it impossible for even non - believers like ourselves to ignore the temporary manifestation of divine forces upon the stage . Between ' divine force ' and ' human force ...
الصفحة 114
... developed commercial theatre of Great Britain extended itself into Ireland , as an entertainment for the Anglo- Irish Protestant Ascendancy class , and operated entirely in the English manner . Such Irish artists as worked in this ...
... developed commercial theatre of Great Britain extended itself into Ireland , as an entertainment for the Anglo- Irish Protestant Ascendancy class , and operated entirely in the English manner . Such Irish artists as worked in this ...
الصفحة 125
... developed close to the date of the production ; but a lengthy feature in The Irish Times was printed on the industrial page instead of the cultural . This had the effect of indicating the emphasis of the show and was instrumental in ...
... developed close to the date of the production ; but a lengthy feature in The Irish Times was printed on the industrial page instead of the cultural . This had the effect of indicating the emphasis of the show and was instrumental in ...
المحتوى
Pasolini and Penn Peace News 1967 | 17 |
Brecht Guardian 8 May 1964 | 37 |
Roll Up Roll Up to the Carnival of War Flourish No | 56 |
حقوق النشر | |
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Abbey action actors Aldwych appeared Arden argument Army artistic audience authors Belfast Brecht Britain British Carnival character Chhau Chhau dances Connolly's continued Countess Markievicz course cycle dance dialogue director doubt drama dramatist Dublin Easter English episodes Equity essays fact film Ghost Hamlet Henry idea Ireland Irish James Connolly John Arden Jonson King Labour Larkin Liberty Hall London Margaretta D'Arcy masks means ment movement murder never Non-Stop Connolly Show O'Casey Official Sinn Fein organisation Oswald Padraic Pearse Party performance perhaps persons play playwrights political present production Proinsias Mac Aonghusa recognised rehearsal Republican revolution scene script secret play seemed Serjeant Musgrave's Dance Shakespeare Sinn Fein social Socialist sort speech stage stage-directions story style subversive theatre theatrical theme thing trade-union traditional Ulster union Vietnam village W. B. Yeats whole Workers working-class writing written