To Present the Pretence: Essays on the Theatre and Its Public ...Eyre Methuen, 1977 - 216 من الصفحات |
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الصفحة 95
... individual to be the mainspring of his or her activity , and the mode of production within any society to be the determinant of its class- relationships . The obvious actions of his life , when considered with a view to their ...
... individual to be the mainspring of his or her activity , and the mode of production within any society to be the determinant of its class- relationships . The obvious actions of his life , when considered with a view to their ...
الصفحة 114
... individual rather than group activities and largely oral in technique . There was no religious reformation in the sixteenth century , and therefore no transition ( as in England ) from the divinely - centred Catholic drama to the ...
... individual rather than group activities and largely oral in technique . There was no religious reformation in the sixteenth century , and therefore no transition ( as in England ) from the divinely - centred Catholic drama to the ...
الصفحة 176
... individual , or a collective . If a collective , then it will not matter how much or how little attention is paid to scripting the play , provided the final result works , because the writer will be merely the servant of the entire ...
... individual , or a collective . If a collective , then it will not matter how much or how little attention is paid to scripting the play , provided the final result works , because the writer will be merely the servant of the entire ...
المحتوى
Roll Up Roll Up to the Carnival of War Flourish No | 61 |
PART FOUR | 112 |
The Third World seen from the First New Theatre | 152 |
حقوق النشر | |
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action actors Aldwych appeared Arden Armstrong's Last Goodnight Army artistic audience authors Belfast Brecht Britain British character Chhau dances Connolly's continued costumes Countess Markievicz course cultural cycle dancers dancing area director doubt Dr Bhattacharyya drama dramatist Dublin English episodes Equity essays fact film Ganesha Ghost Hamlet Henry idea India Ireland Irish James Connolly John Arden Jonson King Kurmis Labour Liberty Hall London Margaretta D'Arcy masks means ment military movement never Non-Stop Connolly Show official Official Sinn Fein organisation Oswald Party peasants performance perhaps persons play playwrights political present production Proinsias Mac Aonghusa Purulia recognised rehearsal Republican revolution scene script secret play seemed Serjeant Musgrave's Dance Shakespeare Sinn Fein social Socialist sort speech stage stage-directions story style subversive theatre theatrical trade-union traditional troupes Ulster union Vietnam village W. B. Yeats whole Workers working-class writing written