To Present the Pretence: Essays on the Theatre and Its Public ...Eyre Methuen, 1977 - 216 من الصفحات |
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الصفحة 97
... movement of masses we mean , that the audience can actually watch the masses move . This is not possible in the theatre . The theatre depends for its effectiveness on the physical action of human beings but not too many of them at one ...
... movement of masses we mean , that the audience can actually watch the masses move . This is not possible in the theatre . The theatre depends for its effectiveness on the physical action of human beings but not too many of them at one ...
الصفحة 101
... movement . He hoped , and , at the time , we also hoped , that a play by western dramatists on the life and work of Gandhi might prove of some value in both the West and the East : but we needed to see for ourselves . In India we ...
... movement . He hoped , and , at the time , we also hoped , that a play by western dramatists on the life and work of Gandhi might prove of some value in both the West and the East : but we needed to see for ourselves . In India we ...
الصفحة 105
... Movement ( the Official Sinn Fein Party - at that time reorganising itself upon Socialist principles after the split - away by the Provisionals , and commencing for the first time a regular left - wing electoral strategy in the 26 ...
... Movement ( the Official Sinn Fein Party - at that time reorganising itself upon Socialist principles after the split - away by the Provisionals , and commencing for the first time a regular left - wing electoral strategy in the 26 ...
المحتوى
Roll Up Roll Up to the Carnival of War Flourish No | 61 |
PART FOUR | 112 |
The Third World seen from the First New Theatre | 152 |
حقوق النشر | |
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action actors Aldwych appeared Arden Armstrong's Last Goodnight Army artistic audience authors Belfast Brecht Britain British character Chhau dances Connolly's continued costumes Countess Markievicz course cultural cycle dancers dancing area director doubt Dr Bhattacharyya drama dramatist Dublin English episodes Equity essays fact film Ganesha Ghost Hamlet Henry idea India Ireland Irish James Connolly John Arden Jonson King Kurmis Labour Liberty Hall London Margaretta D'Arcy masks means ment military movement never Non-Stop Connolly Show official Official Sinn Fein organisation Oswald Party peasants performance perhaps persons play playwrights political present production Proinsias Mac Aonghusa Purulia recognised rehearsal Republican revolution scene script secret play seemed Serjeant Musgrave's Dance Shakespeare Sinn Fein social Socialist sort speech stage stage-directions story style subversive theatre theatrical trade-union traditional troupes Ulster union Vietnam village W. B. Yeats whole Workers working-class writing written