To Present the Pretence: Essays on the Theatre and Its Public ...Eyre Methuen, 1977 - 216 من الصفحات |
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الصفحة 47
... understand that – in the present age at any rate spontaneous ensemble improvisation is perhaps the only force to jerk the theatre forward from the successive ruts in which it sticks year after year . Of course it would have been an ...
... understand that – in the present age at any rate spontaneous ensemble improvisation is perhaps the only force to jerk the theatre forward from the successive ruts in which it sticks year after year . Of course it would have been an ...
الصفحة 149
... understand the Chhau - in its entirety - they can only do so by witnessing it ( as we were fortunate enough to do ) in the centre of a populated village , among the people for whom it was intended and for whom the annual visit of the ...
... understand the Chhau - in its entirety - they can only do so by witnessing it ( as we were fortunate enough to do ) in the centre of a populated village , among the people for whom it was intended and for whom the annual visit of the ...
الصفحة 160
... understand the meaning of a new , unperformed play . He may not understand it all that well , but when it comes to improving defects in the structure , no one else can be certain what the structure is intended to express . The busi ...
... understand the meaning of a new , unperformed play . He may not understand it all that well , but when it comes to improving defects in the structure , no one else can be certain what the structure is intended to express . The busi ...
المحتوى
Roll Up Roll Up to the Carnival of War Flourish No | 61 |
PART FOUR | 112 |
The Third World seen from the First New Theatre | 152 |
حقوق النشر | |
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action actors Aldwych appeared Arden Armstrong's Last Goodnight Army artistic audience authors Belfast Brecht Britain British character Chhau dances Connolly's continued costumes Countess Markievicz course cultural cycle dancers dancing area director doubt Dr Bhattacharyya drama dramatist Dublin English episodes Equity essays fact film Ganesha Ghost Hamlet Henry idea India Ireland Irish James Connolly John Arden Jonson King Kurmis Labour Liberty Hall London Margaretta D'Arcy masks means ment military movement never Non-Stop Connolly Show official Official Sinn Fein organisation Oswald Party peasants performance perhaps persons play playwrights political present production Proinsias Mac Aonghusa Purulia recognised rehearsal Republican revolution scene script secret play seemed Serjeant Musgrave's Dance Shakespeare Sinn Fein social Socialist sort speech stage stage-directions story style subversive theatre theatrical trade-union traditional troupes Ulster union Vietnam village W. B. Yeats whole Workers working-class writing written