Dry'd is that vein, dry'd is the Thespian spring, Which crown'd him poet first, then poets' king. introduced there in several pieces, to the satisfaction of the publick, who are ever fond of encouraging personal ridicule, when the follies and vices of the object are supposed to deserve it. 'But what wounded his pride and fame most sensibly, was the preference which the publick and most of his contemporary wits, gave to Ford's LOVER'S MELANCHOLY, before his NEW INN OR LIGHT HEART. They were both brought on in the same week and on the same stage; where Ben's was damn'd, and Ford's received with uncommon applause: and what made this circumstance still more galling, was, that Ford was at the head of the partisans who supported Shakspeare's fame against Ben Jonson's Invectives.' 'This so incensed old Ben, that as an everlasting stigma upon his audience, he prefixed this title to his play "The New Inn, or Light Heart. A comedy, as it was never acted, but most negligently play'd by some, the King's idle servants; and more squeamishly beheld and censur'd by others, the King's foolish subjects." This title is followed by an abusive preface upon the audience and reader.' 'Immediately upon this, he wrote his memorable ode against the publick, beginning Come, leave the loathed stage, "And the more loathsome age," &c. The revenge he took against Ford, was to write an epigram on him as a plagiary. r Playwright, by chance, hearing toys I had writ, Cry'd to my face-they were th' elixir of wit. "And I must now believe him, for to-day "Five of my jests, then stoln, pass'd him a play." alluding to a character in The Ladies Trial, which Ben says Ford stole from him.' "The next charge against Ford was, that The Lover's Melancholy was not his own, but purloined from Shakspeare's papers, by the connivance of Heminge and Condel, who in conjunction with Ford, had the revisal of them.' "The malice of this charge is gravely refuted, and afterwards laughed at in many verses and epigrams, the best of which are those that follow, with which I shall close this theatrical extract:' "To my worthy friend, John Ford. ""Tis said, from Shakspeare's mine your play you drew: Hh2 Thomas May If tragedies might any prologue have, All those he made would scarce make one to this; HUGH HOLLAND. To the Memory of the deceased Author, Master W. Shakspeare... The world thy works; thy works, by which outlive Shall loath what's new, think all is prodigy 66 Upon Ben Jonson, and his Zany, Tom Randolph. "Quoth Ben to Tom, the Lover's stole, ""Tis much too good for Ford. "Thus Ben and Tom, the dead still praise, "For none must dare to wear the bays, "Till Ben and Tom both die. "Even Avon's swan could not escape "These letter-tyrant elves; They on his fame contriv'd a rape, "To raise their pedant selves. "But after times with full consent "This truth will all acknowledge, "Shakspeare and Ford from heaven were sent, "But Ben and Tom from college." Endymion Porter Mr. Macklin the comedian was the author of this letter; but the pamphlet which furnished his materials, was lost in its passage from Ireland. The following stanza, from a copy of verses by Shirley, prefixed to Ford's Live's Sacrifice, 1633, alludes to the same dispute, and is apparently addressed to Ben Jonson: "Look here thou that hast malice to the stage, "And impudence enough for the whole age; Voluminously ignorant! be vext "To read this tragedy, and thy owne be next." Steevens. * See Wood's Athene Oxen. edit. 1721, Vol. I, p. 583. Steevens. That is not Shakspeare's, every line, each verse, Or till I hear a scene more nobly take, Than when thy half-sword parlying Romans spake: Shall with more fire, more feeling, be express'd, L. DIGGES.* To the Memory of Master W. Shakspeare. We wonder'd, Shakspeare, that thou went'st so soon Can die, and live to act a second part: This a re-entrance to a plaudite. J. M.t Upon the Effigies of my worthy Friend, the Author, Master William Shakspeare, and his Works. Spectator, this life's shadow is;-to see The truer image, and a livelier he, Turn reader: but observe his comick vein, Laugh; and proceed next to a tragick strain, Then weep: so,-when thou find'st two contraries, Two different passions from thy rapt soul rise, Say, (who alone effect such wonders could,) Rare Shakspeare to the life thou dost behold.+ See Wood's Athene Oxoniensis, Vol. I, p. 599 and 600, edit. 1721. His translation of Claudian's Rape of Proserpine was entered on the Stationers' books, Oct. 4, 1617. Steevens. It was printed in the same year. Malone. Perhaps John Marston. Steerens. These verses first appeared in the folio, 1632. There is no name subscribed to them. Malone. On worthy Master Shakspeare, and his Poems · In that deep dusky dungeon, to discern Them sudden birth, wond'ring how oft they live; To strike up and stroke down, both joy and ire; This, and much more, which cannot be express'd The buskin'd muse, the comick queen, the grand *To outrun hasty time,] 56 And panting time toil'd after him in vain." Dr. Johnson's Prologue. Steevens And nimbler foot of the melodious pair, But fine materials, which the muses know, Shakspeare shall breathe and speak; with laurel crown'd, In a well-lined vesture, rich, and neat: So with this robe they clothe him, bid him wear it; For time shall never stain, nor envy tear it. The friendly Admirer of his Endowments, J. M. S.f speaking silence-] "Silence that spoke, and eloquence of eyes." Pope's Hom. Steevens. Probably, Jasper Mayne, Student. He was born in the year 1604, and became a member of Christ Church, in Oxford, in 1623, where he was soon afterwards elected a Student. In 1628 he took a bachelor's degree, and in June, 1631, that of a Master of Arts. These verses first appeared in the folio, 1632. Malone |