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النشر الإلكتروني

AN

THE

SPECTATOR.

No. 223. THURSDAY, NOVEMBER 15.

O suavis anima ! qualem bonam
Antehac fuisse, tales cum sint reliquiæ !

PHÆD.

WHEN I reflect upon the various fate of those multitudes of ancient writers who flourished in Greece and Italy, I consider time as an immense ocean in which many noble authors are entirely swallowed up, many very much shattered and damaged, some quite disjointed and broken into pieces, while some have wholly escaped the common wreck; but the number of the last is very small.

Apparent rari nantes in gurgite vasto.

Among the mutilated poets of antiquity, there is none whose fragments are so beautiful as those of Sappho. They give us a taste of her way of writing, which is perfectly conformable with that extraordinary character we find of her, in the remarks of those great critics who were conversant with her works when they were entire. One may see by what is left of them, that she followed nature in all her thoughts, without descending to those little points, conceits, and turns of wit, with which many of our modern lyrics are so miserably infected. Her soul seems to have been made up of love and poetry : she felt the passion in all its warmth, and described it in all its symptoms. She is called by ancient authors the

Tenth Muse: and by Plutarch is compared to Cacus, the son of Vulcan, who breathed out nothing but flame. I do not know by the character that is given of her works, whether it is not for the benefit of mankind that they are lost. They were filled with such bewitching tenderness and rapture, that it might have been dangerous to have given them a reading.

An inconstant lover, called Phaon, occasioned great calamities to this poetical lady. She fell desperately in love with him, and took a voyage into Sicily, in pursuit of him, he having withdrawn himself thither on purpose to avoid her. It was in that island, and on this occasion, she is supposed to have made the Hymn to Venus, with a translation of which I shall present my reader. Her hymn was ineffectual for the procuring that happiness which she prayed for in it. Phaon was still obdurate, and Sappho so transported with the violence of her passion, that she was resolved to get rid of it at any price.

There was a promontory in Acarnania called Leucate, on the top of which was a little temple dedicated to Apollo. In this temple it was usual for despairing lovers to make their vows in secret, and afterwards to fling themselves from the top of the precipice into the sea, where they were sometimes taken up alive. This place was therefore called The Lover's Leap; and whether or no the fright they had been in, or the resolution that could push them to so dreadful a remedy, or the bruises which they often received in their fall, banished all the tender sentiments of love, and gave their spirits another turn; those who had taken this leap were observed never to relapse into that passion. Sappho tried the cure, but perished in the experiment.

After having given this short account of Sappho so far as it regards the following Ode, I shall subjoin the translation of it as it was sent me by a friend, whose

* Mr. Ambrose Philips; who was a friend of our author, but being a great party-man, drew upon himself much envy, and, of course, the ridicule of the wits; such of them, I mean, as lived in connections opposite to his. As a poet, however, he had real merit, which cong

admirable pastorals and winter-piece have been already so well received. The reader will find in it that pathetic simplicity which is so peculiar to him, and so suitable to the Ode he has here translated. This Ode in the Greek (besides those beauties observed by Madam Dacier) has several harmonious turns in the words, which are not lost in the English. I must further add, that the translation has preserved every image and sentiment of Sappho, notwithstanding it has all the ease and spirit of an original. In a word, if the ladies have a mind to know the manner of writing practised by the so much celebrated Sappho, they may here see it in its genuine and natural beauty, without any foreign or affected ornaments.

AN HYMN TO VENUS.

I.
O, Venus, beauty of the skies,
To whom a thousand temples rise,
Gaily false in gentle smiles,
Full of love-perplexing wiles :
O goddess! from my heart remove
The wasting cares and pains of love.

II.
If ever thou hast kindly heard
A song in soft distress preferr'd,
Propitious to my tuneful vow,
O, gentle goddess, hear me now.
Descend, thou bright, immortal guest,
In all thy radiant charms confest.

III.
Thou once didst leave Almighty. Jove,
And all the golden roofs above:
The car thy wanton sparrows drew,
Hov’ring in air they lightly flew;
As to my bower they wing'd their way;
I saw their quiv'ring pinions play.

sisted in a certain natural turn of sentiment and expression, called by his friends, simplicity; and by his enemies, we may be sure, insipidity, The worst part of bis character is that he was generally thought and I believe on good grounds) to have done Mr. Pope ill-offices with Mr. Addison; for which, he is treated by that poet, on many occasions, with great severity.

IV.
The birds dismist (while you remain)
Bore back their empty car again:
Then you, with looks divinely mild,
In ev'ry heav'nly feature smild,
And ask'd, what new complaints I made,
And why I call’d you to my aid ?

V.
What phrenzy in my bosom raged,
And by what cure to be assuag'd ?
What gentle youth I would allure,
Whom in my artful toils secure?
Who does thy tender heart subdue,
Tell me, my Sappho, tell me who?

VI.
Tho' now he shuns thy longing arms,
He soon shall court thy slighted charms ;
Tho' now thy oft"'rings he despise,
He soon to thee shall sacrifice;
Tho' now he freeze, be soon shall burn,
And be thy victim in his turn.

VII.
Celestial visitant, once more
Thy needful presence I implore !
In pity come and ease my grief,
Bring my distemper'd soul relief,
Favour thy suppliant's hidden fires,

And give me all my heart desires. Madam Dacier observes there is something very pretty in that circumstance of this ode, wherein Venus is described as sending away her chariot upon her arrival at Sappho's lodgings, to denote that it was not a short transient visit which she intended to make her. This ode was preserved by an eminent Greek critic, who inserted it entire in his works, as a pattern of perfection in the structure of it.

Longinus has quoted another ode of this great poetess, which is likewise admirable in its kind, and has been translated by the same hand with the foregoing one. shall oblige my reader with it in another paper. In the mean while, I cannot but wonder, that these two finished pieces have never been attempted before by any

of our country-men. But the truth of it is, the composi

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