Stealing a Gift: Kierkegaard's Pseudonyms and the BibleFordham Univ Press, 2004 - 206 من الصفحات This book studies the use of biblical quotations in Kierkegaard's pseudonymous works, as well as Kierkegaard's hermeneutical methods in general. Kierkegaard's mode of writing in these works--indeed, the very method of indirect communication--consists in a certain appropriation of the Bible. Kierkegaard thus becomes God's "plagiarist," repeating the Bible by reinscribing it into his own texts, where it becomes a part of his philosophical discourse and relates to most of his conceptual constructions. The Bible might also be called a gift, but a gift that does not belong to Kierkegaard, one he merely passes along to his reader. The invisible omnipresence of God's Word in the pseudonymous works, as opposed to the signed ones, forces us to revisit the entire distinction between the religious and the aesthetic. |
من داخل الكتاب
النتائج 1-5 من 30
... literary , and ideological resource for Kierkegaard's writing . The Bible is at least as important a text for Kierkegaard as the works of , for example , Hegel or Kant . It is therefore my intention to show that readings ignoring the ...
... literary theory / deconstruction , or theo- logical . Having chosen one point of departure , they have usually excluded the other perspectives.5 The sharpest distinction has been made between Kierkegaard's philosophy and his theology ...
... literary devices , whereas I want to show that far from being merely literary elements or ornaments , they play a constructive role in Kierkegaard's thought and writing.19 Third , Rosas represents just the kind of reification of the ...
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.