 | John Milton - 1826 - عدد الصفحات: 126
...exception, dignified by a sobriety and greatness of mind to which we know not where to look for a parallel. It would, indeed, be scarcely safe to draw any decided inferences as to the character of a writer, from passages directly egotistical. But the qualities which we have ascribed to Milton, though perhaps most... | |
 | 1835 - عدد الصفحات: 932
...of the reader co-operate with that of the ЛУП ter. He does not paint a finished picture, or play for a mere passive listener. He sketches, and leaves...key-note, and expects his hearer to make out the melody. We often hear of the magical influence of poetry. The expression in general means nothing ; but, applied... | |
 | Thomas Babington Macaulay Baron Macaulay - 1840 - عدد الصفحات: 464
...exception, dignified by a sobriety and greatness of mind to which we know not where to look for a parallel. It would indeed be scarcely safe to draw any decided...inferences, as to the character of a writer, from passages directly egotistical. But the qualities which we have ascribed to Milton, though perhaps most... | |
 | Thomas Babington Macaulay Baron Macaulay - 1840 - عدد الصفحات: 466
...mind of the reader cooperate with that of the writer. He does not paint a finished picture, or play for a mere passive listener. He sketches, and leaves others to fill up the outline. He VOL, I. 3 strikes the key-note, and expects his hearer to make out the melody. We often hear of the... | |
 | Thomas Babington Macaulay Baron Macaulay - 1840 - عدد الصفحات: 466
...play for a mere passive listener. He sketches, and leaves others to fill up the outline. He VOL I. 3 strikes the key-note, and expects his hearer to make out the melody. We often hear of the magical influence of poetry. The expression in general means nothing ; but, applied... | |
 | Thomas Babington Macaulay Baron Macaulay - 1843 - عدد الصفحات: 390
...mind of the reader co-operate with that of the writer. He does not paint a finished picture, or play for a mere passive listener. He sketches, and leaves...key-note, and expects his hearer to make out the melody. We often hear of the magical influence of poetry. The expression in general means nothing; but, applied... | |
 | John Holmes Agnew, Walter Hilliard Bidwell - 1844 - عدد الصفحات: 614
...mind i: the reader co-operate with that of the wriier. He does not paint a finished picture, or play for a mere passive listener. He sketches, and leaves...He strikes the key-note, and expects his hearer to muh out the melody. We often hear of the magical influence o! poetry. The expression in general mean«... | |
 | Daniel Kimball Whitaker, Milton Clapp, William Gilmore Simms, James Henley Thornwell - 1844 - عدد الصفحات: 564
...electrifies the mind through conductors, — that he sketches, and leaves others to fill up the outline, — strikes the key-note, and expects his hearer to make out the melody ; — and, in speaking of the Allegro and the Penseroso, that "these poems differ from others, as ottar... | |
 | Thomas Babington Macaulay Baron Macaulay - 1846 - عدد الصفحات: 782
...mind of the reader co-operata with that of the writer. He does not paint a finished picture, or play s old as the origin of parliamentary corruption in...counsellors of Charles the Second. Pitt was no los We often hear of the magical influence of poetry. The expression in general means nothing ; but, applied... | |
 | Thomas Babington baron Macaulay - 1846 - عدد الصفحات: 222
...not paint a finished picture, or play for a mere passive listener. He sketches, and leaves other^ lo fill up the outline. He strikes the key-note, and expects his hearer to make out the melody. We often hear of the magical influence of poetry. The expression in general means nothing ; but, applied... | |
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... images in so clear a light, that it is impossible to be blind to them. The works of Milton cannot be comprehended or enjoyed, unless the mind of the reader co-operate with that of the writer. He does not paint a finished picture, or play for a mere... 
