A Handbook of Poetics: For Students of English VerseGinn, 1888 - 250 من الصفحات |
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الصفحة 2
... popular use of the words " poetic " and " prosaic " -as applied to a landscape , or the like - shows this dif- ference . Perception , imagination , are found in vigorous development among primitive races ; whereas the rea- soning powers ...
... popular use of the words " poetic " and " prosaic " -as applied to a landscape , or the like - shows this dif- ference . Perception , imagination , are found in vigorous development among primitive races ; whereas the rea- soning powers ...
الصفحة 21
... popular in the middle ages . A great aid to these legends was the mass of stories which had their origin in the East , — in India and elsewhere , — and came in the wake of the returning crusades , gradually drift- ing into every ...
... popular in the middle ages . A great aid to these legends was the mass of stories which had their origin in the East , — in India and elsewhere , — and came in the wake of the returning crusades , gradually drift- ing into every ...
الصفحة 24
... popular , notably among the French poets , whom Chaucer copied . It was used quite apart from any moral purposes , and is often the vehicle of pure amuse- ment . Such in part is the Romaunt of the Rose , - though there are many ...
... popular , notably among the French poets , whom Chaucer copied . It was used quite apart from any moral purposes , and is often the vehicle of pure amuse- ment . Such in part is the Romaunt of the Rose , - though there are many ...
الصفحة 26
... popular . Caxton printed in 1481 a prose history of Reynard the Fox . Gay's Fables in Eng- lish and Prior's also are specimens of the light vein in French , Marie de France among older writers , and the incomparable La Fontaine , are ...
... popular . Caxton printed in 1481 a prose history of Reynard the Fox . Gay's Fables in Eng- lish and Prior's also are specimens of the light vein in French , Marie de France among older writers , and the incomparable La Fontaine , are ...
الصفحة 27
... popular was the Poema Morale ( about 1170 ) , a good example of the reflective poem . It is a sermon in verse ; perhaps with as much lyric tone as epic , but still well freighted with good advice in addition to the pathos . Much longer ...
... popular was the Poema Morale ( about 1170 ) , a good example of the reflective poem . It is a sermon in verse ; perhaps with as much lyric tone as epic , but still well freighted with good advice in addition to the pathos . Much longer ...
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عبارات ومصطلحات مألوفة
accented syllables action Alexandrine allegory alliteration anapestic Anglo-Saxon ballad beautiful beginning-rime Beowa Beowulf blank verse Byron cæsura called Century character Chaucer chorus combined comedy common dactylic death drama early end-rime English verse epic epic poetry example famous folk-song French Germanic Greek half-verse Hamlet harmony heavy syllables hero hexameter hovering accent human hymn iambic imitated Keats King later Latin Layamon legend license light syllables lines literature Lost Love's Labour's Lost Lycidas lyric poetry measure metaphor metre metrical scheme Milton modern moral narrative nature pause personification play poem poet poetical Pope's popular prose quantity regular rhythm rhythmic rime rule satire says Septenary Shak Shakspere Shakspere's simile simply sing slurring song sonnet sort sounds speech stanza story stress style Tennyson thee thing thou tion tone tragedy trochaic trope unaccented syllables Vers de Société verse-accent vowel word-accent words
مقاطع مشهورة
الصفحة 120 - These are thy glorious works, Parent of good, Almighty, thine this universal frame, Thus wondrous fair; thyself how wondrous then ! Unspeakable, who sitt'st above these heavens, To us invisible, or dimly seen In these thy lowest works; yet these declare Thy goodness beyond thought, and power divine.
الصفحة 118 - Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer.
الصفحة 223 - If they had swallow'd poison, 'twould appear By external swelling : but she looks like sleep, As she would catch another Antony In her strong toil of grace.
الصفحة 131 - O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit...
الصفحة 239 - Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o'er the dreaming earth, and fill...
الصفحة 115 - Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind.
الصفحة 158 - ... apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another...
الصفحة 130 - But neither breath of morn, when she ascends With charm of earliest birds; nor rising sun On this delightful land; nor herb, fruit, flower, Glistering with dew; nor fragrance after showers; Nor grateful evening mild; nor silent night, With this her solemn bird, nor walk by moon, Or glittering starlight, without thee is sweet But wherefore all night long shine these?
الصفحة 200 - You haste away so soon: As yet the early-rising Sun Has not attained his noon. Stay, stay, Until the hasting day Has run But to the even-song; And, having prayed together, we Will go with you along. We have short time to stay, as you, We have as short a Spring; As quick a growth to meet decay As you, or any thing.
الصفحة 235 - Now rings the woodland loud and long, The distance takes a lovelier hue, And drown'd in yonder living blue The lark becomes a sightless song. Now dance the lights on lawn and lea, The flocks are whiter down the vale, And milkier every milky sail On winding stream or distant sea ; Where now the seamew pipes, or dives In yonder greening gleam, and fly The happy birds, that change...