The Round Table. Northcote's Conversations. CharacteristicsWilliam Hazlitt, William Carew Hazlitt Bell & Daldy, 1871 - 568 من الصفحات |
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الصفحة 111
... Rembrandt has it in everything ; everything in his pictures has a tangible character . If he puts a diamond in the ear of a burgomaster's wife it is of the first water ; and his furs and stuffs are proof against a Russian winter ...
... Rembrandt has it in everything ; everything in his pictures has a tangible character . If he puts a diamond in the ear of a burgomaster's wife it is of the first water ; and his furs and stuffs are proof against a Russian winter ...
الصفحة 121
... Rembrandt did not find suffi- cient resources against the spleen in the little cell , where mystery and silence hung upon his pencil , or the noontide ray penetrated the solemn gloom around him , without the aid of modern newspapers ...
... Rembrandt did not find suffi- cient resources against the spleen in the little cell , where mystery and silence hung upon his pencil , or the noontide ray penetrated the solemn gloom around him , without the aid of modern newspapers ...
الصفحة 171
... Rembrandt's landscapes , who , more than any other painter , created the medium through which he saw nature , and out of the stump of an old tree , a break in the sky , and a bit of water , could produce an effect almost miraculous . Mr ...
... Rembrandt's landscapes , who , more than any other painter , created the medium through which he saw nature , and out of the stump of an old tree , a break in the sky , and a bit of water , could produce an effect almost miraculous . Mr ...
الصفحة 201
... Rembrandt's ladies and gentlemen of fashion look as if they had been on duty for the whole of last week in the Prince Regent's new sewer ? And who , that has any penetration , that has any grati- tude , does not see , in seeing all this ...
... Rembrandt's ladies and gentlemen of fashion look as if they had been on duty for the whole of last week in the Prince Regent's new sewer ? And who , that has any penetration , that has any grati- tude , does not see , in seeing all this ...
الصفحة 207
... Rembrandt , which is false , there being no painter who used so little shadow as Vandyke or so much colour as Rubens ; or it must mean that their pictures have turned darker with time — that is , that the art itself is a black art . Is ...
... Rembrandt , which is false , there being no painter who used so little shadow as Vandyke or so much colour as Rubens ; or it must mean that their pictures have turned darker with time — that is , that the art itself is a black art . Is ...
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عبارات ومصطلحات مألوفة
actor admiration affectation answer appearance artist asked beauty Beggar's Opera better character colour common contempt conversation Correggio delight Edition Engravings equal everything excellence excite expression eyes fame fancy favour favourite feeling genius give grace greatest habit Hogarth human Iago idea imagination indifference instance interest Julius Cæsar King lady living look Lord Lord Byron mankind manner Milton mind moral nature never Northcote object once opinion ourselves P. L. SIMMONDS painted painter Paradise Lost passion perfect persons picture pleasure poet poetry portrait prejudices pretensions Prince Hoare racter Raphael reason refinement remarked Rembrandt respect seems seen sense Shakspeare Sir Joshua Sir Walter Scott spirit superiority sympathy taste Tatler things thought tion Titian Tom Jones Translated truth vanity vice virtue vols Voltaire vulgar whole WILLIAM HAZLITT wish wonder writer
مقاطع مشهورة
الصفحة 9 - tis no matter; Honour pricks me on. Yea, but how if honour prick me off when I come on, how then ? Can honour set to a leg ? No. Or an arm ? No. Or take away the grief of a wound? No. Honour hath no skill in surgery then ? No. What is honour? A word. What is in that word, honour ? What is that honour ? Air. A trim reckoning ! — Who hath it ? He that died o
الصفحة 50 - Namancos and Bayona's hold ; Look homeward, Angel, now, and melt with ruth ! And, O ye dolphins, waft the hapless youth...
الصفحة 157 - O unexpected stroke, worse than of Death! Must I thus leave thee$ Paradise? thus leave Thee, native soil! these happy walks and shades, Fit haunt of Gods? where I had hope to spend, Quiet though sad, the respite of that day That must be mortal to us both.
الصفحة 169 - Of splendour in the grass, of glory in the flower ; We will grieve not, rather find Strength in what remains behind, In the primal sympathy Which having been must ever be, In the...
الصفحة 152 - Two of far nobler shape erect and tall, Godlike erect, with native honour clad In naked majesty seemed lords of all, And worthy seemed, for in their looks divine The image of their glorious Maker shone, Truth, wisdom, sanctitude severe and pure, Severe, but in true filial freedom placed; Whence true authority in men...
الصفحة 47 - Last came, and last did go The Pilot of the Galilean lake; Two massy keys he bore of metals twain...
الصفحة 153 - Pure as the expanse of Heaven: I thither went, With unexperienced thought, and laid me down On the green bank, to look into the clear Smooth lake, that to me seem'd another sky. As I bent down to look, just opposite A shape within the watery gleam appear'd, Bending to look on me; I started back: It started back: but pleased I soon return'd; Pleas'd it return'd as soon, with answering looks Of sympathy and love...
الصفحة 134 - Fame is the spur that the clear spirit doth raise (That last infirmity of Noble mind) To scorn delights, and live laborious days...
الصفحة 34 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand.