The Round Table. Northcote's Conversations. CharacteristicsWilliam Hazlitt, William Carew Hazlitt Bell & Daldy, 1871 - 568 من الصفحات |
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الصفحة 1
... young and the old , from the little child who tries to leap over his own shadow to the old man who stumbles blindfold on his grave - all feel this desire in common . Our notions with respect to the importance of life , and our ...
... young and the old , from the little child who tries to leap over his own shadow to the old man who stumbles blindfold on his grave - all feel this desire in common . Our notions with respect to the importance of life , and our ...
الصفحة 10
... young lady , on the other side of Temple Bar , cannot be seen at her glass for half a day together , but Mr. Bickerstaff takes due notice of it ; and he has the first intelligence of the symptoms of the belle passion appearing in any young ...
... young lady , on the other side of Temple Bar , cannot be seen at her glass for half a day together , but Mr. Bickerstaff takes due notice of it ; and he has the first intelligence of the symptoms of the belle passion appearing in any young ...
الصفحة 13
... young lady . These , it must be allowed , are the perfection of elegant sermonising . His 1 It is Stecle's , and the whole paper ( No. 95 ) is in his most delightful manner . The dream about the mistress , however , is given to Addison ...
... young lady . These , it must be allowed , are the perfection of elegant sermonising . His 1 It is Stecle's , and the whole paper ( No. 95 ) is in his most delightful manner . The dream about the mistress , however , is given to Addison ...
الصفحة 36
... young nobleman , his intended bride , and her in- amorato the lawyer , show how much Hogarth excelled in the power of giving soft and effeminate expression . They have , however , been less noticed than the other figures , which tell a ...
... young nobleman , his intended bride , and her in- amorato the lawyer , show how much Hogarth excelled in the power of giving soft and effeminate expression . They have , however , been less noticed than the other figures , which tell a ...
الصفحة 37
... young girl in the third picture , who is repre- sented as the victim of fashionable profligacy , is un- questionably one of the artist's chefs - d'œuvre . The exquisite delicacy of the painting is only surpassed by the felicity and ...
... young girl in the third picture , who is repre- sented as the victim of fashionable profligacy , is un- questionably one of the artist's chefs - d'œuvre . The exquisite delicacy of the painting is only surpassed by the felicity and ...
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actor admiration affectation answer appearance artist asked beauty Beggar's Opera better character colour common contempt conversation Correggio delight Don Quixote Edition Engravings equal everything excellence excite expression eyes fame fancy favour favourite feeling genius give grace greatest habit Hogarth human Iago idea imagination indifference instance interest Julius Cæsar King lady living look Lord Lord Byron mankind manner Milton mind moral nature never Northcote object once opinion ourselves P. L. SIMMONDS painted painter Paradise Lost passion perfect persons picture pleasure poet poetry portrait prejudices pretensions Prince Hoare racter Raphael reason refinement remarked Rembrandt respect seems seen sense Shakspeare Sir Joshua Sir Walter Scott spirit superiority sympathy taste Tatler things thought tion Titian Translated truth vanity vice virtue vols Voltaire vulgar whole WILLIAM HAZLITT wish wonder writer
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الصفحة 9 - tis no matter; Honour pricks me on. Yea, but how if honour prick me off when I come on, how then ? Can honour set to a leg ? No. Or an arm ? No. Or take away the grief of a wound? No. Honour hath no skill in surgery then ? No. What is honour? A word. What is in that word, honour ? What is that honour ? Air. A trim reckoning ! — Who hath it ? He that died o
الصفحة 50 - Namancos and Bayona's hold ; Look homeward, Angel, now, and melt with ruth ! And, O ye dolphins, waft the hapless youth...
الصفحة 157 - O unexpected stroke, worse than of Death! Must I thus leave thee$ Paradise? thus leave Thee, native soil! these happy walks and shades, Fit haunt of Gods? where I had hope to spend, Quiet though sad, the respite of that day That must be mortal to us both.
الصفحة 169 - Of splendour in the grass, of glory in the flower ; We will grieve not, rather find Strength in what remains behind, In the primal sympathy Which having been must ever be, In the...
الصفحة 152 - Two of far nobler shape erect and tall, Godlike erect, with native honour clad In naked majesty seemed lords of all, And worthy seemed, for in their looks divine The image of their glorious Maker shone, Truth, wisdom, sanctitude severe and pure, Severe, but in true filial freedom placed; Whence true authority in men...
الصفحة 47 - Last came, and last did go The Pilot of the Galilean lake; Two massy keys he bore of metals twain...
الصفحة 153 - Pure as the expanse of Heaven: I thither went, With unexperienced thought, and laid me down On the green bank, to look into the clear Smooth lake, that to me seem'd another sky. As I bent down to look, just opposite A shape within the watery gleam appear'd, Bending to look on me; I started back: It started back: but pleased I soon return'd; Pleas'd it return'd as soon, with answering looks Of sympathy and love...
الصفحة 134 - Fame is the spur that the clear spirit doth raise (That last infirmity of Noble mind) To scorn delights, and live laborious days...
الصفحة 34 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand.