DeliusGreenwood Press, 1970 - 193 من الصفحات |
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النتائج 1-3 من 34
الصفحة 81
... score , bar by bar , pointing to felicities of instrumentation . The scoring is in no part like French impressionist technique . The entire orchestral palette is used — three flutes , double wood wind , cor anglais , three bassoons ...
... score , bar by bar , pointing to felicities of instrumentation . The scoring is in no part like French impressionist technique . The entire orchestral palette is used — three flutes , double wood wind , cor anglais , three bassoons ...
الصفحة 87
... score as one learns about Tchaikovsky from the score of " Casse noisette " . Little of this music can be conveyed to the mind through score - reading eyes unaided by memory of the sounds . In this respect , Delius's scores are more ...
... score as one learns about Tchaikovsky from the score of " Casse noisette " . Little of this music can be conveyed to the mind through score - reading eyes unaided by memory of the sounds . In this respect , Delius's scores are more ...
الصفحة 132
... score - reading comes perfectly smoothly at a performance . Like young Elgar , Delius had literary enthusiasm rather than literary taste , and the accentuation of 4/4 Ko- | AN - ga is our | HE- ro prince ; no | FOE we fear when | HE is ...
... score - reading comes perfectly smoothly at a performance . Like young Elgar , Delius had literary enthusiasm rather than literary taste , and the accentuation of 4/4 Ko- | AN - ga is our | HE- ro prince ; no | FOE we fear when | HE is ...
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accompaniments artist baritone beauty become Beecham better called cello choral chords chorus composer composer's concerto critics dance death Delian Delius Delius's Drift effect Elgar emotional England English especially Example expression fact Fair feel Fenby festival final friends Garden give Grez Grieg harmony hear heard Heseltine interest kind knew known later less listener live mannerisms Mass master material means melody mind movement moving musicians mystics nature never Nietzsche night notes once opening opera Orch orchestra Paris passages passing performance phrase piano piece play poems poet reading river romantic score seems seen short singing solo sonata songs soprano spirit string Summer technique Text thought tion tune Village Romeo violin voice Wagner whole writing written young