Misrepresentations: Shakespeare and the MaterialistsCornell University Press, 1993 - 322 من الصفحات Just at the moment when conflicts between critical "isms" are threatening to turn the study of English literature into a game park for endangered texts, Bradshaw arrives with a work of liberating wit and insight. His subject is double: the Shakespeare he reads and the Shakespeare whom critics in the ranks of the new historicists and cultural materialists are representing (or misrepresenting). |
المحتوى
PROLOGUE | 1 |
Buddies | 8 |
Chaotic Sites | 18 |
The EEffect | 26 |
CHAPTER | 34 |
The Historiographical Challenge | 46 |
Dramatic Rhyming | 63 |
Who Them? Where Us? | 80 |
Obeying the Time | 148 |
Fashioning Othello | 168 |
A Choice of Delusions | 190 |
A Horrible Conceite | 201 |
EPILOGUE | 223 |
The Riverbed | 232 |
Othello 1980 | 245 |
APPENDIX | 258 |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
anti-Henry appears Arden argue argument assumption audience Bianca Brabantio Caliban Cambridge Cassio challenge Chorus Chorus's Christian Cinthio's claim complex design complicated concerned critical cultural materialism cultural materialist Cyprus Desdemona Dollimore and Sinfield dramatic thinking Duke E. M. W. Tillyard earlier Elizabethan Emilia essay essentialist F. R. Leavis final Fluellen Folio Greenblatt Hamlet hear Henry Henry's historicism historicist human humanist hyphens Iago Iago's idea ideological important insistence interpretative Jessica's Jonathan Dollimore kind King Leavis Leavis's less literary London marriage means Measure for Measure Merchant of Venice metaphor modern Moor moral notice Othello Oxford Pistol play's poetic poetic-dramatic political prose Quarto question Rabkin's radical reading Renaissance response scene seems sense sexual Shake Shakespeare Shylock Siskin Sonnet speak speare's speech Stephen Stephen Greenblatt subversive suggests suppose tell Tennenhouse theory things Tillyard Tillyardian tion truth University Press verse line word