Political Violence in Drama: Classical Models, Contemporary VariationsUMI Research Press, 1987 - 161 من الصفحات |
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الصفحة 37
... know : no sickness will destroy me , nothing will : I'd never have been saved when left to die unless for some dread evil . Then let my fate continue where it will ! ( 1455-58 ) Oedipus knows what he is ; he knows that there is a reason ...
... know : no sickness will destroy me , nothing will : I'd never have been saved when left to die unless for some dread evil . Then let my fate continue where it will ! ( 1455-58 ) Oedipus knows what he is ; he knows that there is a reason ...
الصفحة 47
... knows that Andri is no murderer . He was with Andri when the Senora was stoned . He has the information and stature to interrupt the victimization ; he could disprove the lies that support the transferral of guilt . Still he absents ...
... knows that Andri is no murderer . He was with Andri when the Senora was stoned . He has the information and stature to interrupt the victimization ; he could disprove the lies that support the transferral of guilt . Still he absents ...
الصفحة 66
... knows better . He pays tribute to Apollo ( LB 1029-33 ) , acknowledges his own pollution ( LB 1034-39 ) , and admits that he does " not know how it will end " ( LB 1021 ) . The scene reverses the ending of Agamemnon in which the Chorus ...
... knows better . He pays tribute to Apollo ( LB 1029-33 ) , acknowledges his own pollution ( LB 1034-39 ) , and admits that he does " not know how it will end " ( LB 1021 ) . The scene reverses the ending of Agamemnon in which the Chorus ...
المحتوى
The Victim and Communion | 11 |
The Victim and Catharsis | 33 |
Sacrificial Violence as Dramatic Convention in | 57 |
حقوق النشر | |
4 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action Aegisthus Aeschylus Aeschylus's Agamemnon Albert Camus Andorrans Andri Apollo Arden Argos Athene Attercliffe Brecht Brenton c'est Cadre Camus Character Character's Chorus Clytemnestra Concierge contamination death divine Dora dramatic dynamic Erinyes Ernst Toller Eugène Ionesco executioner exile Frank Frisch Furies Girard gods Greek guilt H. D. F. Kitto Howard Brenton human II.iii individual innocence Ionesco Kaliayev kill L'Homme Libation Bearers masses Maßnahme Max Frisch Mensch metaphysical Mrożek murder Musgrave Musgrave's Nameless Oedipus Oedipus the King Oresteia Orestes Orestes's Party physical play playwrights political violence pollution Press priest profane Promethean Prometheus Prophets rebellion Regent relationship religious reprinted by permission revolution revolutionary ritual sacred sacrifice sacrificial crisis sacrificial event sacrificial rites scene Serjeant Musgrave's Dance social soldiers Sonja spectator Stalin Stepan strategy structure suffering Toller tragedy trans tribunal trilogy Univ vengeance victim violent deed Weapons of Happiness workers Young Comrade Zeus