The Dark Lantern: A Historical Study of Sight in Shakespeare, Webster, and MiddletonActa Universitatis Gothoburgensis, 1999 - 533 من الصفحات |
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الصفحة 235
... structure of a Shakespearean sonnet . On a first reading of the first three stanzas of Sonnet 24 , the reader is treated to a curious and vertiginous display of visual specu- lation and perspective painting , to the effect that the ...
... structure of a Shakespearean sonnet . On a first reading of the first three stanzas of Sonnet 24 , the reader is treated to a curious and vertiginous display of visual specu- lation and perspective painting , to the effect that the ...
الصفحة 236
... structure which both begs for paraphrase and defies it , since any paraphrase of reasonable proportions must impose an unwarranted fixity and a se- ries of rash editorial choices on its meaning in order to make some sense ; indeed ...
... structure which both begs for paraphrase and defies it , since any paraphrase of reasonable proportions must impose an unwarranted fixity and a se- ries of rash editorial choices on its meaning in order to make some sense ; indeed ...
الصفحة 238
... structure with walls . Thirdly , the poet also describes his body as a ' frame ' which holds the hidden image - a line which does not work very well unless we take this frame to mean the structure of the ' box ' itself ( which contains ...
... structure with walls . Thirdly , the poet also describes his body as a ' frame ' which holds the hidden image - a line which does not work very well unless we take this frame to mean the structure of the ' box ' itself ( which contains ...
المحتوى
INTRODUCTION | iii |
THE DARK LANTERN | 45 |
THE REFORMED EYE | 107 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
Achilles active antivisual argued becomes Bianca blindness Bosola Calvin camera obscura chapter conception of sight context critics culture dark deception Descartes described Desdemona detached Dingley discussion distinction dramatic Duchess of Malfi early modern English example explore extramission eyebeam Ferdinand gaze George Hakewill Greeks heart heaven historical Hobbes Iago Iago's iconoclastic idolatry intromissive John Webster Kepler King King Lear Leantio Lear light literary London look Lucrece Lucrece's madness means Middleton mind mirror nature object observer ocular proof optics Othello participation passive perception perspective play poem poet poet's Puritan reading reciprocal reformed religious Renaissance Second Maiden's Tragedy seems seen sense seventeenth century Shakespeare social Sonnet 24 soul specular speculative vision suggests Tarquin things Thomas Middleton tion traditional tragedy Troilus and Cressida turn Ulysses Venus and Adonis visible visual experience visual theory Webster White Devil Women Beware Women words youth