The Life of Percy Bysshe Shelley, المجلد 2T. C. Newby, 1847 |
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الصفحة 30
... adds , “ that like everything he wrote , it breathes that deep sym- pathy for the sorrows of humanity , and indigna- tion against its oppressors , which make it worthy of 30 LIFE OF SHELLEY . I am called Ion, which by interpretation ...
... adds , “ that like everything he wrote , it breathes that deep sym- pathy for the sorrows of humanity , and indigna- tion against its oppressors , which make it worthy of 30 LIFE OF SHELLEY . I am called Ion, which by interpretation ...
الصفحة 34
... adds , " I remonstrated with him in vain on the tone of mind from which such a view of things arises , " and concludes with , " He is heartily and deeply discontented with himself ; and contemplating in the disturbed mirror of his own ...
... adds , " I remonstrated with him in vain on the tone of mind from which such a view of things arises , " and concludes with , " He is heartily and deeply discontented with himself ; and contemplating in the disturbed mirror of his own ...
الصفحة 53
... adds , - Thou art the abode Of that Power , which is the glass Where man his image sees . Generations as they pass , Worship thee on bended knees ; Their unreturning gods and they Like a river pass away ; Thou remainest such alway . And ...
... adds , - Thou art the abode Of that Power , which is the glass Where man his image sees . Generations as they pass , Worship thee on bended knees ; Their unreturning gods and they Like a river pass away ; Thou remainest such alway . And ...
الصفحة 59
... add , Ruffiano . I have perhaps at too great length botched a sketch of the ex Professor , but as the world is indebted to him for the Epipscychidion , I think myself in gratitude bound not to pass him over without a record , and if I ...
... add , Ruffiano . I have perhaps at too great length botched a sketch of the ex Professor , but as the world is indebted to him for the Epipscychidion , I think myself in gratitude bound not to pass him over without a record , and if I ...
الصفحة 84
... adds , that there was no danger of the Endymion becoming a model of that false taste with which he owns it is replen- ished , confessing that " the canons of taste to which Keats had conformed in this composition , were the very reverse ...
... adds , that there was no danger of the Endymion becoming a model of that false taste with which he owns it is replen- ished , confessing that " the canons of taste to which Keats had conformed in this composition , were the very reverse ...
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مقاطع مشهورة
الصفحة 113 - A pard-like Spirit beautiful and swift — A Love in desolation masked ; — a Power Girt round with weakness ; — it can scarce uplift The weight of the superincumbent hour; It is a dying lamp, a falling shower, A breaking billow ; — even whilst we speak Is it not broken?
الصفحة 318 - Or sculpture, speak in feeble imagery Their own cold powers. Art and eloquence, And all the shows o' the world, are frail and vain To weep a loss that turns their lights to shade. It is a woe 'too deep for tears' when all Is reft at once, when some surpassing Spirit, Whose light adorned the world around it, leaves Those who remain behind, not sobs or groans, The passionate tumult of a clinging hope, — But pale despair and cold tranquillity, Nature's vast frame, the web of human things, Birth and...
الصفحة 183 - Nor mix with Laian rage the joy Which dawns upon the free : Although a subtler Sphinx renew Riddles of death Thebes never knew. Another Athens shall arise, And to remoter time Bequeath, like sunset to the skies, The splendour of its prime ; And leave, if nought so bright may live, All earth can take or Heaven can give.
الصفحة 334 - That Light whose smile kindles the Universe, That Beauty in which all things work and move, That Benediction which the eclipsing Curse Of birth can quench not, that sustaining Love Which through the web of being blindly wove By man and beast and earth and air and sea, Burns bright or dim, as each are mirrors of The fire for which all thirst; now beams on me, Consuming the last clouds of cold mortality.
الصفحة 173 - Most musical of mourners, weep again! Lament anew, Urania! — He died, Who was the Sire of an immortal strain, Blind, old, and lonely, when his country's pride The priest, the slave, and the liberticide Trampled and mocked with many a loathed rite Of lust and blood; he went, unterrified, Into the gulf of death; but his clear Sprite Yet reigns o'er earth; the third among the sons of light.
الصفحة 321 - And hears the unexpressive nuptial song In the blest kingdoms meek of joy and love. There entertain him all the Saints above, In solemn troops, and sweet societies, That sing, and singing in their glory move, And wipe the tears for ever from his eyes.
الصفحة 325 - Fame is no plant that grows on mortal soil, Nor in the glistering foil Set off to the world, nor in broad rumour lies, But lives and spreads aloft by those pure eyes And perfect witness of all-judging Jove; As he pronounces lastly on each deed, Of so much fame in heaven expect thy meed.
الصفحة 183 - Where fairer Tempes bloom, there sleep Young Cyclads on a sunnier deep. A loftier Argo cleaves the main, Fraught with a later prize ; Another Orpheus sings again, And loves, and weeps, and dies; A new Ulysses leaves once more Calypso for his native shore.
الصفحة 315 - Go thou to Rome, — at once the Paradise, The grave, the city, and the wilderness; And where its wrecks like shattered mountains rise, And flowering weeds, and fragrant copses dress The bones of Desolation's nakedness, Pass, till the Spirit of the spot shall lead Thy footsteps to a slope of green access Where, like an infant's smile, over the dead A light of laughing flowers along the grass is spread.
الصفحة 113 - Is it not broken ? On the withering flower The killing sun smiles brightly : on a cheek The life can burn in blood even while the heart may break.