The Complete Poems and Major ProseHackett Publishing, 01/07/2003 - 1088 من الصفحات First published by Odyssey Press in 1957, this classic edition provides Milton's poetry and major prose works, richly annotated, in a sturdy and affordable clothbound volume. |
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الصفحة xviii
... Hesiod, Theogony Thinker-Denis Saurat, Milton: Man and Thinker (1925) Tim. – Plato, Timaeus Tradition — Elizabeth M. Pope, “Paradise Regained": The Tradition and the Poem (1947) Vanity – Joseph Glanvill, The Vanity of Dogmatizing Verse ...
... Hesiod, Theogony Thinker-Denis Saurat, Milton: Man and Thinker (1925) Tim. – Plato, Timaeus Tradition — Elizabeth M. Pope, “Paradise Regained": The Tradition and the Poem (1947) Vanity – Joseph Glanvill, The Vanity of Dogmatizing Verse ...
الصفحة 27
... Hesiod (Theog., 52–79) represents the Muses (of whom Clio, the Muse of History, stands first) as being born to Zeus by Mnemosyne (Memory) on Mt. Pierus in Macedonia. 33. Ovid (Met. II, 153) makes Aethon one of the sun's four horses ...
... Hesiod (Theog., 52–79) represents the Muses (of whom Clio, the Muse of History, stands first) as being born to Zeus by Mnemosyne (Memory) on Mt. Pierus in Macedonia. 33. Ovid (Met. II, 153) makes Aethon one of the sun's four horses ...
الصفحة 33
... Hesiod describes Earth as the mother of Heaven, the mountains, Time, Hyperion, and many of the elder gods (Theog., 117–52). Cf. PL V, 338. 22. Ovid (Met. IV, 773–803) describes the Gorgon Medusa, whose dreadful eyes and snaky locks ...
... Hesiod describes Earth as the mother of Heaven, the mountains, Time, Hyperion, and many of the elder gods (Theog., 117–52). Cf. PL V, 338. 22. Ovid (Met. IV, 773–803) describes the Gorgon Medusa, whose dreadful eyes and snaky locks ...
الصفحة 34
... Hesiod's hundred-armed giant Aegaeon (Theog., 147) is described by Ovid (Met. II, 9–10) as clasping the vast backs of whales in his arms. 61. The flower is personified in allusion to Ovid's story of its origin in the metamorphosis of ...
... Hesiod's hundred-armed giant Aegaeon (Theog., 147) is described by Ovid (Met. II, 9–10) as clasping the vast backs of whales in his arms. 61. The flower is personified in allusion to Ovid's story of its origin in the metamorphosis of ...
الصفحة 46
... Hesiod's Golden Age, when men were so good that Zeus changed them into immortal spirits (Works and Days, I I I-26). Vanity stands for all “the sins to which the creature was made subject” (Rom. viii, 20), and from which Milton says that ...
... Hesiod's Golden Age, when men were so good that Zeus changed them into immortal spirits (Works and Days, I I I-26). Vanity stands for all “the sins to which the creature was made subject” (Rom. viii, 20), and from which Milton says that ...
المحتوى
3 | |
173 | |
Paradise Regained | 471 |
Samson Agonistes | 531 |
Prose | 595 |
Appendix | 1021 |
Index of Names | 1045 |
BACK COVER | 1060 |
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عبارات ومصطلحات مألوفة
Adam Aeneid ancient angels Areopagitica Aristotle Beast behold bishops Book called Chorus Christ Christian church Comus dark death delight divine doctrine doth E. M. W. Tillyard Earth Euripides evil eyes faith Father fear fire glory God's goddess gods grace Greek hand happy hast hath heart Heav'n heavenly Hell Hesiod holy honor human John John Milton Jove King Latin meaning learned less light live Lord Lycidas marriage Milton mind Muses nature night Ovid Ovid's Paradise Lost Paradise Regained peace perhaps Philistines Plato poem poet praise prelates Psalm Roman Samson Agonistes Satan says Serpent song SONNET soul spake spirit stars stood story sweet thee things thir thou thought Throne tion tradition translation Tree truth verse VIII virtue wings wisdom words Zeus