Medieval Architecture: Its Origins and Development, with Lists of Monuments and Bibliographies

الغلاف الأمامي
Baker and Taylor Company, 1908

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الصفحة 137 - Et ab hoedis me sequestra. Statuens in parte dextra. Confutatis maledictis, Flammis acribus addictis, Voca me cum benedictis. Oro supplex et acclinis, Cor contritum quasi cinis : Gere curam mei finis. Lacrymosa dies ilia, Qua resurget ex favilla, Judicandus homo reus. Huic ergo parce Deus, Pie Jesu, Domine, Dona eis requiem.
الصفحة 136 - Juste judex ultionis, donum fac remissionis ante diem rationis. Ingemisco tanquam reus, culpa rubet vultus meus ; supplicanti parce, Deus. Qui Mariam absolvisti et latronem exaudisti, mihi quoque spem dedisti ; Preces meae non sunt dignae, sed tu, bonus, fac benigne, ne perenni cremer igne.
الصفحة 136 - Rex tremendae majestatis, Qui salvandos salvas gratis, Salva me, fons pietatis. Recordare, Jesu pie, Quod sum causa tuae viae: Ne me perdas ilia die.
الصفحة 136 - Liber scriptus proferetur, In quo totum continetur, Unde mundus judicetur. Judex ergo cum sedebit, Quidquid latet apparebit : Nil inultum remanebit. Quid sum, miser ! tune dicturus ? Quern patronum rogaturus ? Cum vix Justus sit securus. Rex tremendae majestatis, Qui salvandos salvas gratis, Salva me, fons pietatis.
الصفحة 51 - I' Architecture Fran^aise. He has therein given a profound and exhaustive illustration of Gothic. $He has shown that this architecture consists primarily in a peculiar structural system, — a system which was a gradual evolution out of the arched Roman through the Romanesque, — and that its distinctive characteristic is that the whole scheme of the building is determined by, and its whole strength is made to reside in, a finely organized and frankly confessed framework rather than in walls.
الصفحة 136 - Dies irae, dies ilia Solvet saeclum in favilla Teste David cum Sibylla. Quantus tremor est futurus, Quando judex est venturus, Cuncta stricte discussurus! Tuba mirum spargens sonum Per sepulcra regionum, Coget omnes ante thronum. Mors stupebit et natura, Cum resurget creatura, Judicanti responsura.
الصفحة 252 - Dei aliquando multi-color gemmarum speciositas ab exintrinsecis me curis devocaret, sanctarum etiam diversitatem virtutum, de materialibus ad immaterialia transferendo, honesta meditatio insistere persuaderet, videor...
الصفحة 199 - Quod quidem gloriosum opus quantum divina manus in talibus operosa protexerit, certum est etiam argumentum, quod in tribus annis et tribus mensibus totum illud magnificum opus, et in inferiore cripta, et in superiore voltarum sublimitate tot arcuum et columnarum distinctione variatum, etiam operturae integrum supplementum admiserit
الصفحة 252 - God, many-colored as the radiance of precious stones, called me from the cares of this world, then holy meditation led my mind to thoughts of piety, exalting my soul from the material to the immaterial, and I seemed to find myself, as it were, in some strange part of the universe, which was neither wholly of the baseness of the earth, nor wholly of the serenity of Heaven, but by the Grace of God I seemed lifted in a mystic manner from this lower, towards that upper, sphere.
الصفحة 189 - ... the mark of the collar ? If, again, the artisan worked long enough at any church, he naturally became attached to it, and it to him. The York Fabric Rolls show us worn-out head-masons or •Mr. Kingsley Porter (ii, 189) quotes an excellent example: "It is amusing to read in Gervase [of Canterbury] what infinite tact William of Sens was forced to employ to persuade the reluctant monks that it was necessary to destroy the charred fragments of the glorious choir of Conrad.

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