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Copyright, 1908, by

A. KINGSLEY PORTER

The Plimpton Press Norwood Mass. U.S.A.

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St. Martin

Heavy Walls — The Apse — Ribbed Half-Domes

des Champs - The Chevet Vault Stilting of Wall Rib- Polygonal Apses -

Second Phase of the Transition -St. Denis-Monastic Influence - Historical Signifi-

cance of St. Denis - Norman Influence - Problem of the Sexpartite Vault

partite Vaults-

Continuous Systems - Columns Introduced System of Sens -

System of Noyon - System of Senlis Capitals Normal to Diagonals Flying But-
tresses - Evolution of the Flying Buttress - Early Examples- - Question of their
Origin-Spires - Exterior Design - Façades -The Plan-Cloisters - Four-Storied
Designs - Ornament - Profiles - Abaci -Bases - Griffes - String-Courses-Cor-
nices Archivolts of Arches - Windows and Doorways - Diagonals and Trans-
verse Ribs - Pure Ornament - Shafts - Classical Influence - Carolingian and
Norman Motives - Study of Nature Conventionalization of Flora - Capitals
Accessory Arts - Frescoes Stained Glass - Origins and Evolution of the Art
– Influence on Architecture — Beauty of Color - Small Pieces of Glass Employed
Small Figures - Contrast with Modern Methods -- Detail Sculpture - Origins
Schools of the South-Classic Influence - Provence and Burgundy - Sculpture of
the Ile de France- - Architectural Character - The Gothic Ideal - Iconography -
Power of Suggestion - Essentially Didactic in Character - Religion of the Clerks —
Religion of the People — Scholastic Nature of Gothic Imagery —- The Cathedral an
Encyclopedia - Symbolism - Symbolic Decoration - Mystic Numbers Symmetry
Biblical Symbolism — Hierarchal Rank - The Four Mirrors - The Mirror of Na-

ture - The Mirror of Science - The Mirror of Morals - The Mirror of History —

Unity of the Cathedral Imagery

Attributes

Limitations Imposed on the Artist
- Composition - The Unity of the Whole-Structure Not Symbolic - Inclinato
Capite - Explanation of the Deviated Axis — Irregularities — Professor Goodyear's
"Refinements" - Historical Conditions of the Twelfth Century - La Renaissance
Française - Learning-Classic Revival - Heresies - Economic Revolution - Robber
Barons curbed - Politics Civilization Cities - Summary The Communes
The Cathedral not a Work of the People - Evidence of the Building itself — Popu-
lar Religious Enthusiasm in the Twelfth Century - Letter of Haymo - The Cult of
Carts - No Popular Enthusiasm for Architecture - Letter of Hugh Suger - Cart
Cult of Little Practical Service to Architecture - A Norman Institution - Account of
Robert du Mont - Summary People and Clergy Rise of the Communes Le
Mans Cambrai - St. Quentin - Beauvais - Noyon - Mantes- Laon - Amiens
- Hostility of Clergy - Reims Sens Policy of the King-Friction between
Bourgeois and Clergy Religion of the People Cure of Souls - The Cathedral a
Monument of Ecclesiastical Power - The Medieval Church - The Power of Rome
-The Age of Faith Wealth of the Church - The House of God Ecclesiastical
Conditions - Reform of the Twelfth Century - The Cistercians - Cistercian
Churches - Clairvaux supplants Cluny - Decline of Monastic Architecture-Car-
thusian Order Other Orders - - Mendicant Orders Dominicans and Francis-
cans -The Militant Orders - The Hospitalers - The Templars - Chapels of
the Templars Canons Regular - Rule of St. Augustine Collegiate Churches
- Reform of the Chapters — Reform of the Episcopacy - The French Church c.

1200-Summary - Territorial Expansion of Gothic Architecture - The Master

Builders - Probably not Monks in the Twelfth Century - Evidence - The

Chroniclers Silent - The Medieval Monk-Jean of Le Mans - Significance of

this Incident - Lay Builders at St. Remi - The Masonic Guild - Master Builders

of the Thirteenth Century - Their Role-Drawings - Personal Supervision

Master Builder and Client - The Master Builder a Workman - Evolution of the

Modern Architect - Extent of Activity of Master Builders - The Masons - Free-

dom of Design.

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Suger and Gothic Architecture - Emotional Quality of Gothic Art

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- Its Imperfections - Fecundity - The Gothic Alphabet - Amiens, the Culmination
The Church under Innocent III Germs of Decadence - Heresies - The Works
of Aristotle - The Scientific Spirit - The Church Hated - The Later Crusaders —
Taxes-Corruption — The Fabliaux - Non-Residence of Clergy - Subjection of
the French Church — Anagni — Superstition - Decadence of Learning - Effect on
Architecture Decline of Architecture in the Fourteenth Century - Economic Con-
ditions - Finances - Persecution of the Jews - The Hundred Years' War - Gothic
Construction Suppression of the Walls - Plate Tracery - Bar Tracery - Struc-
tural Significance — Decorative Beauty - Rayonnant Tracery Rose Windows —
Quadripartite Vaults - Monocylindrical Supports Systems Piers -Shafts -
Capitals - Rayonnant Systems Flying Buttresses -Across Double Aisles - Am-
bulatory Vaults - Polygonal Chevets - Design of the Nave- Glazed Triforiums —
Triforium of Rouen - Pyramidal Sections - Wooden Roofs - Plans - Columns on
Axis - The Façade - Paris Noyon - Laon Amiens Reims Coutances
Transept Ends Spires - Gargoyles - Parapets Double Walls-Norman Fa-
çades - Gothic Architecture of Normandy Fortified Churches Ecclesiastical
Buildings - Chapter Houses - Gothic Ornament - Crockets - Naturalistic Flora
Gothic Fauna - Profiles Abaci - Bases - Other Profiles - Tracery and
Polychromy Stained Glass - Sculpture — Reliefs - Rayonnant Sculp-

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- The Fifteenth Century 1400-50 — 1450-
Building Activity of the Sixteenth Century - The Renais-
Art in the Sixteenth Century - The Church Conservative Survival of

Medieval Forms - Last Phase of Flamboyant - Structure Pre-eminence of Orna-

ment - The Ogee Arch Open Work Canopies and Niches - Tracery - Lines

of Double Curvature

Spires — Façades - Angle Buttresses - Churches of Aube

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Pendants General Design Ornament - Profiles - Bases -Interpenetration
Flora and Fauna - Spiral Paneling - Color - Timber Roofs - Stained Glass -
Sculpture - The Death of Medieval Art:

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