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to contend, viii. 116

Wage, to remunerate, vi. 263

Wan, to grow pale, vii. 255

Wanton, a trifler, a feeble person, vii.

344

Warn, to summon, vii. 79

Wassails, viii. 21

Watch-light, v. 478

Waters, for all, iii. 402

Water-work, water-colours, iv. 369
Waxen, or yoxen, ii. 405
Weather-bitten, iii. 533

Web and pin, cataract in the eye, iii. 444; vii. 428

Week, in by the, ii. 352
Weet, to wit, to know, viii. 6
Weird, fatal, i. cclxxxviii; vii. 104
Welkin-eye, blue eye, iii. 437

Westward ho! an exclamation, iii. 377 When, an indication of impatience, iv. 117

Where, whereas, i. 130

Where, place, vii. 365

Whiffler, fifer, iv. 559

Wit, to know, viii. 6. 337

whither wilt? iii. 76

Wood, mad, wild, i. 113; ii. 410;

v. 83; viii. 395

Woodcock, a silly person, ii. 261

Wooden, awkward, v. 92

Woodman, wencher, ii. 83

Woolvish, hairy? vi. 191

World, going to the, marrying, ii. 210; iii. 90. 218

Wreak, revenge, vi. 232

Wren of nine, iii. 381

Wrest, a tuning instrument? vi. 75
Write good creature, iii. 266
Wroth, ruth? ii. 514

Yare, handy, nimble, i. 9. 82; ii. 72; iii. 391; viii. 36. 71

Ycleped, called, named, ii. 291 ; vii. 219. See also "Cleped."

Year, what the good, i. 196; ii. 198; iv. 381; vii. 477

White, to hit the, to hit the mark, iii. 200 Yearning, or eaning time, time of par

to spit, iv. 358

Whoo-bub or hubbub, iii. 515

Whooping, out of all, iii. 53
Wilderness, wildness, ii. 53
Wimpled, hooded, veiled, ii. 316
Winchester goose, v. 21; vi. 136
Winds, or wints, bouts at plough, viii. 11
Wish, to recommend, iii. 122

Wishtly, wishfully, iv. 208
Wist, knew, v. 71

Wits, the five, ii. 189; vii. 425

turition, i. ccxc; viii. 322

Yearn, to grieve, iv. 539

Yellow stockings, the fashion of wearing, iii. 370

Yeoman to a serjeant, iv. 364

Yield, to reward, iii. 62. 94; vii. 305
Yoxen, or waxen, ii. 405

Zany, fool, ii. 367; iii. 340

THE TEMPEST.

VOL. I.

B

"The Tempest" was first printed in the folio edition of “Mr. William Shakespeare's Comedies, Histories, and Tragedies," bearing date in 1623, where it stands first, and occupies nineteen pages, viz. from p. 1 to p. 19 inclusive. It fills the same place in the folios of 1632, 1664, and 1685.

INTRODUCTION.

A MATERIAL fact, in reference to the date of the first production of "The Tempest," has only been recently ascertained: we allude to the notice of the performance of it, before King James, on Nov. 1st, 1611', which is contained in the "Extracts from the Accounts of the Revels at Court," edited by Mr. P. Cunningham for the Shakespeare Society, p. 211: the memorandum is in the following form::"Hallomas nyght was presented att Whithall before the Kinges Majestie a play called the Tempest."

In the margin is inserted the additional circumstance, that the performance was "by the King's Players;" and there can be no reasonable doubt that it was Shakespeare's drama, which had been written for that company. When it had been so written, is still a point of difficulty; but the probability, we think, is that it was selected by the Master of the Revels, for representation at Court in 1611, on account of its novelty and popularity on the public stage. Eleven other dramas, as appears by the same document, were exhibited between Oct. 31, 1611, and the same day in the next year; and it is remarkable that ten of these (as far as we possess any information respecting them) were comparatively new plays, and with regard to the eleventh, it was not more than three years old. We may, perhaps, be warranted in inferring, therefore, that “The Tempest" was also not then an old play.

It seems to us, likewise, that the internal evidence, derived from style and language, clearly indicates that it was a late production, and that it belongs to about the same period of our great dramatist's literary history as his "Winter's Tale," which was also chosen for a Court-play, and represented at Whitehall only four days after "The Tempest" had been exhibited. In point of construction, it must be admitted at once that there is the most obvious dissimilarity, inasmuch as "The Winter's Tale" is a piece in which the unities are

'The earliest date hitherto discovered for the performance of "The Tempest" was "the beginning of the year 1613," which Malone established from Vertue's MSS.: it was then acted by "the King's company, before Prince Charles, the Princess Elizabeth, and the Prince Palatine," but where is not stated.

2 See note 2 to the Introduction to "The Winter's Tale," Vol. iii. p. 423. The particular play to which we refer is intitled in the Revels' Account "Lucrecia," which may have been either T. Heywood's "Rape of Lucrece," first printed in 1608, or a different tragedy on the same incidents.

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