And cheeks of sorry grain will serve to ply 750 The sampler, and to tease the huswife's wool. I had not thought to have unlock'd my lips 751. The sampler, and to tease &c.] In the Manuscript it is The sample, or to tease the huswife's wool. The word tease is commonly used in a metaphorical sense, but here we have it in its proper and original signification, carpere, vellere. See Skinner, Junius, &c. 752. Vermeil-tinctur'd] Edward Bendlowes has this epithet to cheek in his Theophila, cant. i. st. 21. Lond. 1652. We have love-darting in Sylvester's Du Bartas, p. 399. ed. fol. Whoso beholds her sweet lovedarting cyn. T. Warton. 755. Think what, and be advis'd, you are but young yet.] He had written at first, Think what, and look upon this cordial julep, and then followed the verses which are inserted from ver. 672 to 705. 756. I had not thought &c.] The six following lines are spoken aside. Sympson. 754 760 759.-prank'd in reason's garb.] Dressed, clad. So Shakespeare, -your high self, The gracious mark o' th' land, you With a swain's wearing, and me, Prank implies a false or af- To prank old wrinkles up in new attire. T. Warton. 760. I hate when vice can bolt her arguments,] That is, sift. So Chaucer, But I ne cannot boulte it to the brenne. Warburton. In the construction of a mill, a part of the machine is called the boulting-mill, which separates the flour from the bran. Chaucer, Nonnes Pr. T. 1355. But I ne cannot bolt it to the brenne, As can that holy doctor saint Austen. That is, "I cannot argue, and And virtue has no tongue to check her pride. 765 That live according to her sober laws, And holy dictate of spare temperance : If every just man, that now pines with want, And she no whit incumber'd with her store, 66 770 775 reasons are as two grains of "wheat hid in two bushels of "chaff; you shall seek all day "ere you find them, &c." The meaning of the whole context is this, "I am offended when vice "pretends to dispute and reason, "for it always uses sophistry." T. Warton. Bp. Newton indeed rather understands the word, to dart, to shoot, from the substantive bolt for arrow. And Dr. Johnson explains to bolt," to blurt out or throw out precipitantly," citing the passage before See his Dictionary. But he has not less than six quotations which exhibit, in fact, the meta us. In boulted language, meal and bran phorical sense of the word here together He throws without distinction. It is the same allusion in the contended for by Warburton and Warton, and which tend to confirm their interpretation of it. E. His praise due paid; for swinish gluttony Crams, and blasphemes his feeder. Shall I go on ? Or have I said enough? To him that dares . Fain would I something say, yet to what end? And thou art worthy that thou shouldst not know 780 785 Enjoy your dear wit, and gay rhetoric, 790 That hath so well been taught her dazzling fence, Yet should I try, the uncontrolled worth Of this pure cause would kindle my rapt spirits 779. -Shall I go on?] From hence to ver. 806. in Comus's speech, that is twenty-seven verses, are not in the Manuscript, but were added afterwards. 785. The sublime notion, and high mystery, &c.] That Milton's notions about love and chastity were extremely refined and delicate, not only appears from this poem, but also from many passages in his prose-works, particularly in the Apology for Smectymnuus, where he is Compare v. 453. et seq. 795 So dear to heav'n is saintly chastity, &c. And see 791. That hath so well been taught her dazzling fence,] We have the substantive fence in Shakespeare, Much ado about Nothing, act v. s. 1. Despight his nice fence, and his active practice. defending himself against the And King John, act ii. s. 3. charge of lewdness which his adversaries had very unjustly laid against him. Thyer. Teach us some fence. T. Warton. That dumb things would be mov'd to sympathize, Were shatter'd into heaps o'er thy false head. She fables not, I feel that I do fear Her words set off by some superior power; And though not mortal, yet a cold shudd'ring dew 797. And the brute earth, &c.] The unfeeling earth would sympathise and assist. It is Horace's "Bruta tellus," Od. i. xxxiv. 11. T. Warton. 800. She fables not, &c.] These six lines too are aside. Sympson. 807. This is mere moral babble, &c.] These lines were thus at first in the Manuscript. This is mere moral stuff, the very lees 808. Against the canon laws of our foundation.] Canon laws, a joke! Warburton. Here is a ridicule on establishments, and the canon law now greatly encouraged by the church. Perhaps on the Canons of the Church, now rigidly enforced, and at which Milton frequently glances in his prose tracts. He calls Gratian "the "compiler of canon-iniquity." 800 805 Pr. W. i. 211. In his book on Reformation, he speaks of " an "insulting and only canon-wise prelate." Pr. W. vol. i. 7. And his arguments on Divorce, afford frequent opportunities of exposing what he calls the Ignorance and Iniquity of the CanonLaw. See particularly, ch. iii. T. Warton. I 809--Yet 'tis but the lees And settlings of a melancholy blood.] like the Manuscript reading best, "This is mere moral stuff, the very Yet is bad. But very inaccurate. So in Sams. Agon. 599. From anguish of the mind and That mingle with the fancy. T. Warton. And settlings of a melancholy blood: But this will cure all strait, one sip of this Beyond the bliss of dreams. Be wise, and taste. 810 The Brothers rush in with swords drawn, wrest his glass out of his hand, and break it against the ground; his rout make sign of resistance, but are all driven in; The attendant Spirit comes in. SPIRIT. What, have you let the false inchanter scape? 815 814. What, have you let the false inchanter scape?] Before this verse the stage direction is in the Manuscript as follows. The Brothers rush in, strike his glass down; the shapes make as though they would resist, but are all driven in. Dæmon enters with them. And the verse was thus at first, What, have you let the false inchanter 815. O ye mistook, ye should We cannot free the Lady, &c.] They are directed before to seize Comus's wand, v. 653. And this was from the Faerie Qu. where Sir Guyon breaks the charming staffe of Pleasure's porter, as he likewise overthrows his bowl, ii. xii. 49. But from what particular process of disinchantment, ancient or modern, did Milton take the notion of reversing Comus's wand or rod? It was from a pas See Upton, Gl. F. Q. in V. sage of Ovid, the great ritualist Bathe. T. Warton. of classical sorcery, before cited, |