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Quam male Phœbicolis convenit ille locus ! Nec duri libet usque minas perferre Magistri, Cæteraque ingenio non subeunda meo.

15. Nec duri libet usque minas perferre Magistri, Cæteraque ingenio non subeunda meo.] Milton is said to have been whipped at Cambridge. See Life of Bathurst, p. 153. This has been reprobated and discredited, as a most extraordinary and improbable piece of severity. But in those days of simplicity and subordination, of roughness and rigour, this sort of punishment was much more common, and consequently by no means so disgraceful and unseemly for a young man at the University, as it would be thought at present. We learn from Wood, that Henry Stubbe, a Student of Christ Church, Oxford, afterwards a partisan of Sir Henry Vane, "shewing himself too for"ward, pragmatical, and con"ceited," was publicly whipped by the Censor in the College-hall. Ath. Oxon. ii. p. 560. See also Life of Bathurst, p. 202. learn from some manuscript papers of Aubrey the antiquary, who was a student of Trinity College, Oxford, four years from 1642, that "at Oxford and, I "believe, at Cambridge, the rod "was frequently used by the "tutors and deans: and Dr. Potter, while a tutor of Trinity College, I knew right well, whip"ped his pupil with his sword "" by his side, when he came to "take his leave of him to go to "the Inns of Court." In the Statutes of the said College, given in 1556, the Scholars of the

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foundation are ordered to be whipped by the Deans, or Censors, even to their twentieth year. In the University Statutes at Oxford, compiled in 1635, ten years after Milton's admission at Cambridge, corporal punishment is to be inflicted on boys under sixteen. We are to recollect, that Milton, when he went to Cambridge, was only a boy of fifteen. The author of an old pamphlet, Regicides no Saints nor Martyrs, says, that Hugh Peters, while at Trinity College, Cambridge, was publicly and officially whipped in the Regent Walk for his insolence, p. 81. 8vo.

The anecdote of Milton's whipping at Cambridge, is told by Aubrey. MS. Mus. Ashm. Oxon. Num. x. P. iii. From which, by the way, Wood's life of Milton in the Fasti Oxonienses, the first and the ground-work of all the lives of Milton, was compiled. Wood says, that he draws his account of Milton "from his

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own mouth to my friend, who

was well acquainted with and "had from him, and from his "relations after his death, most "of this account of his life and "writings following." Ath. Oxon. i. F. p. 262. This friend is Aubrey; whom Wood, in another place, calls credulous, "roving and magotie-headed, " and sometimes little better than "crased." Life of A. Wood, p. 577. edit. Hearne, Th. Caii Vind. &c. vol. ii. This was after a quarrel. I know not that Aubrey

Si sit hoc exilium patrios adiisse penates,
Et vacuum curis otia grata sequi,

is ever fantastical, except on the subjects of chemistry and ghosts. Nor do I remember that his veracity was ever impeached. I believe he had much less credulity than Wood. Aubrey's Monumenta Britannica is a very solid and rational work, and its judicious conjectures and observations have been approved and adopted by the best modern antiquaries.

But let us examine if the context will admit some other interpretation. Caleraque, the most indefinite and comprehensive of descriptions, may be thought to mean literary tasks called impositions, or frequent compulsive attendances on tedious and unimproving exercises in a Collegehall. But cætera follows minas, and perferre seems to imply somewhat more than these inconveniences, something that was suffered, and severely felt. It has been suggested, that his father's economy prevented his constant residence at Cambridge; and that this made the College Lar dudum vetitus, and his absence from the University an exilium. But it was no unpleasing or involuntary banishment. He hated the place. He was not only offended at the College discipline, but had even conceived a dislike to the face of the country, the fields about Cambridge. He peevishly complains, that the fields have no soft shades to attract the Muse; and there is something pointed in his exclamation, that Cambridge was a place quite incompatible with the votaries of Phoebus. Here

a father's prohibition had nothing
to do. He resolves, however,
to forget all these disagreeable
circumstances, and to return in
The dismission, if
due time.
any, was not to be perpetual.
In these lines, ingenium is to be
rendered temper, nature, dispo-
sition, rather than genius.

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Aubrey says, from the information of our author's brother Christopher, that Milton's "first "tutor there [at Christ's College] was Mr. Chapell, from whom receiving some unkindnesse, (he whipt him,) he was afterwards, though it seemed against "the rules of the College, trans"ferred to the tuition of one "Mr. Tovell, who dyed parson "of Lutterworth." MS. Mus. Ashm. ut supr. This information, which stands detached from the body of Aubrey's narrative, seems to have been communicated to Aubrey, after Wood had it therefore seen his papers; does not appear in Wood, who never would otherwise have suppressed an anecdote which contributed in the least degree to the character of Milton. expose I must here observe, that Mr. Chappell, from his original Letters, many of which I have seen, written while he was a Fellow and Tutor of Christ's College, and while Milton was there, and which are now in the possession of Mr. Moreton of Westerhoe in Kent, appears to have been a man of uncommon mildness and liberality of manners.

Probably Mr. Tovell, here mentioned as Milton's second tutor, ought to be Tovey. Natha

Non ego vel profugi nomen sortemve recuso, Lætus et exilii conditione fruor.

niel Tovey signs his name in an Audit-Book at Christ's College, under the year 1633. He was originally of Sidney College, and there B. A. 1615, and M. A. 1619. It does not appear when he migrated to Christ's. Again, Lutterworth should here perhaps be Kegworth, likewise in Leicestershire, which (and not Lutterworth) is a benefice in the patronage of Christ's College.

15. See Dr. Symmons's Life of Milton, p. 55-77. and the Preface, p. 4-7. Ed. 2. for a detailed examination of the questions treated of in the two preceding notes, which I have given at full length, on account of the degree of attention which, however unnecessarily, these curious questions have excited. Whether Milton ever lost a Term by rustication, cannot be ascertained by the account of the Terms he kept the allusion to Ovid's banishment, which immediately follows the words noticed by Warton, seems to confirm the idea, that his temporary absence from Cambridge was compulsory. Whether he received any other kind of punishment at College, it is neither very easy nor very important to determine. Warton is inaccurate as to his age; he was more than sixteen when he was admitted at Cambridge. But in answer to the charges brought against him by his adversaries, that "after an inordinate and "riotous youth spent at the "University, he had at length "been vomited out thence," we have his own positive assertions, published at a time when they

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O utinam vates nunquam graviora tulisset
Ille Tomitano flebilis exul agro;

Non tunc Ionio quicquam cessisset Homero,

Neve foret victo laus tibi prima, Maro.

Tempora nam licet hic placidis dare libera Musis,
Et totum rapiunt me mea vita libri.
Excipit hinc fessum sinuosi pompa theatri,
Et vocat ad plausus garrula scena suos.

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"gistri, quem vocant, gradum 66 cum laude etiam adeptus, non "in Italiam, quod impurus ille "comminiscitur, profugi, sed sponte meâ domum me con"tuli, meíque etiam desiderium apud collegii plerosque socios, "à quibus eram haud medio"criter cultus, reliqui."

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E.

17. In defence of the false quantity in the word hoc Dr. Parr suggests that it is to be found short in the comic poets; and has referred me to two places, one in Plautus, and one in Terence, where it certainly occurs with this quantity. Notwithstanding the charges of Salmasius, which N. Heinsius has repeated, the offences of Milton's Latin metre against quantity are very few-not more perhaps, (if the scazons, addressed to Salsilli, which seem to be constructed on a false principle, and some of the lines in the ode to Rouse, which appear to have been formed in defiance of every principle, be thrown out of the question,) than four, or, at the most, five, of a nature not to be disputed. He has frequently sinned indeed against Dawes's metrical canon, which determines that a short vowel is necessarily lengthened

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before a word beginning with
But the authenti-
Sc, sp, or st.
city of this canon, after all, is
not beyond dispute. Symmons,
Life of Milton, p. 58-62. Ed. 2.

22. Ille Tomitano flebilis exul agro;] Ovid_thus begins his Epistles from Pontus, i. i. 1.

Naso Tomitane jam non novus incola terræ,

Hoc tibi de Getico litore mittit opus. See our author below, El. vi. 19. And Ovid, Trist. iii. ix. 33. i. ii. 85. iv. x. 97. v. vii. 9. seq. Ex Pont. i. ii. 77. i. vii. 49. iii. i. 6. iii. iv. 2. iv. ix. 97. iv. xiii. 15, 23. seq. Again, ibid. iii. viii. 2.

Dona Tomitanus mittere posset ager. 23. Non tunc Ionio quicquam cessisset Homero, &c.] I have before observed, that Ovid was Milton's favourite Latin poet. In these Elegies Ovid is his pattern. But he sometimes imitates Propertius in his prolix digressions into the ancient Grecian story.

27. Excipit hinc fessum sinuosi pompa theatri, &c.] As in L'Allegro, v. 131.

Then to the well-trod stage anon, &c. The theatre seems to have been a favourite amusement of Milton's youth.

Seu catus auditur senior, seu prodigus hæres,
Seu procus, aut posita casside miles adest,
Sive decennali fœcundus lite patronus

Detonat inculto barbara verba foro;
Sæpe vafer gnato succurrit servus amanti,
Et nasum rigidi fallit ubique patris ;
Sæpe novos illic virgo mirata calores

Quid sit amor nescit, dum quoque nescit, amat. Sive cruentatum furiosa Tragoedia sceptrum

Quassat, et effusis crinibus ora rotat;

Et dolet, et specto, juvat et spectasse dolendo,
Interdum et lacrymis dulcis amaror inest :

Seu puer infelix indelibata reliquit

Gaudia, et abrupto flendus amore cadit ;

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31. Sive decennali fœcundus lite See Note on Il Pens. v. 98.

patronus

Detonat inculto barbara verba
foro ;]

He probably means the play
of Ignoramus. In the expres-
sion decennali fœcundus lite, there
is both elegance and humour.
Most of the rest of Milton's
comic characters are Teren-
tian. He is giving a general
view of comedy: but it is the
view of a scholar, and he does
not recollect that he sets out with
describing a London theatre.

31. Mr. Dunster supposes "that his theatre, in this place, "was his own closet; where, "when fatigued with other "studies, he relaxed with his "favourite dramatic poets." And he conceives the "sinuosi pompa "theatri" &c. to be merely the creations of the poet's fancy with the work of some favourite dramatic author before him. E.

37. Sive cruentatum, &c.]

Ovid calls his Medea " Scriptum regale." Trist. ii. 553.

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