Theatre and Drama in the Making, المجلد 1Houghton Mifflin, 1964 - 1071 من الصفحات |
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الصفحة 716
... Mourning Becomes Electra ( 1931 ) . As a director , he is chiefly remembered for his staging of O'Neill's allegorical expressionistic tragedy The Great God Brown ( 1926 ) . An advocate of restraint in all branches of theatre art , Jones ...
... Mourning Becomes Electra ( 1931 ) . As a director , he is chiefly remembered for his staging of O'Neill's allegorical expressionistic tragedy The Great God Brown ( 1926 ) . An advocate of restraint in all branches of theatre art , Jones ...
الصفحة 830
... Mourning Becomes Electra ( 1931 ) , an artistic diary of his attempt to translate the Oresteian myth into modern terms ; the short story , Portrait of a Girl in Glass , Tennessee Williams ' first fictional account of the situation which ...
... Mourning Becomes Electra ( 1931 ) , an artistic diary of his attempt to translate the Oresteian myth into modern terms ; the short story , Portrait of a Girl in Glass , Tennessee Williams ' first fictional account of the situation which ...
الصفحة 986
... Mourning Becomes Electra begins with the mother and daughter , Christine and Lavinia , waiting , there in the house of the Mannons , the return of Ezra Mannon from the war , which with Lee's surrender is about over . A thread of romance ...
... Mourning Becomes Electra begins with the mother and daughter , Christine and Lavinia , waiting , there in the house of the Mannons , the return of Ezra Mannon from the war , which with Lee's surrender is about over . A thread of romance ...
المحتوى
INTRODUCTION | xv |
Theory and Criticism of Tragedy 21 22235 | 21 |
from the Deipnosophists | 39 |
حقوق النشر | |
54 من الأقسام الأخرى غير ظاهرة
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action actor Aegisthus Aeschylus Agamemnon ancient appear Aristotle artist audience beautiful Brecht called century character chorus Clytemnestra comedy comic costume Craig critics death Dionysus Disdemona drama dramatist effect Electra Elizabethan emotion English Epic Epic Theater Euripides eyes fact father feel French genius give Greek Hamlet hand Henry Irving human Ibsen idea imagination imitation Isaac kind King light living London Macbeth manner means Melians mind modern Molière Moor moral Mourning Becomes Electra murder nature neoclassical never Oedipus Orestes Othello painted passion PEDROLINO performance person piece play playwright plot poet poetic poetry present production realistic reason rehearsals rôle Roman scene scenery seems sense Shakespeare Sophocles soul speak spectator spirit stage Stanislavski story style theatre theatrical thee Thespis things thou thought tion tragedy tragic true truth unto whole wife words writing