Theatre and Drama in the Making, المجلد 1Houghton Mifflin, 1964 - 1071 من الصفحات |
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الصفحة 454
... feel his situation in the same manner as we suppose he himself must feel , and our pity is increased in proportion to the height from which he fell . On the contrary , we do not so strongly sympathise with one born in humbler ...
... feel his situation in the same manner as we suppose he himself must feel , and our pity is increased in proportion to the height from which he fell . On the contrary , we do not so strongly sympathise with one born in humbler ...
الصفحة 564
... feel- ing for beauty . He has already come up in the world ; and he is hard and unscrupulous enough not to allow sensitiveness to interfere when it comes to using others for his purposes . He is already a stranger to those around him ...
... feel- ing for beauty . He has already come up in the world ; and he is hard and unscrupulous enough not to allow sensitiveness to interfere when it comes to using others for his purposes . He is already a stranger to those around him ...
الصفحة 660
... feel the truth must be developed to such an extent that absolutely nothing would take place on the stage , that nothing would be said and nothing listened to , without a preparatory cleansing through the filter of the artistic feeling ...
... feel the truth must be developed to such an extent that absolutely nothing would take place on the stage , that nothing would be said and nothing listened to , without a preparatory cleansing through the filter of the artistic feeling ...
المحتوى
INTRODUCTION | xv |
Theory and Criticism of Tragedy 21 22235 | 21 |
from the Deipnosophists | 39 |
حقوق النشر | |
54 من الأقسام الأخرى غير ظاهرة
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action actor Aegisthus Aeschylus Agamemnon ancient appear Aristotle artist audience beautiful Brecht called century character chorus Clytemnestra comedy comic costume Craig critics death Dionysus Disdemona drama dramatist effect Electra Elizabethan emotion English Epic Epic Theater Euripides eyes fact father feel French genius give Greek Hamlet hand Henry Irving human Ibsen idea imagination imitation Isaac kind King light living London Macbeth manner means Melians mind modern Molière Moor moral Mourning Becomes Electra murder nature neoclassical never Oedipus Orestes Othello painted passion PEDROLINO performance person piece play playwright plot poet poetic poetry present production realistic reason rehearsals rôle Roman scene scenery seems sense Shakespeare Sophocles soul speak spectator spirit stage Stanislavski story style theatre theatrical thee Thespis things thou thought tion tragedy tragic true truth unto whole wife words writing