Theatre and Drama in the Making, المجلد 1Houghton Mifflin, 1964 - 1071 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 74
الصفحة 22
... kind of cosmic terror was never recorded by Aris- totle , although his admiration for Sophocles makes us suspect that , in the theatre , at least , he was not a stranger to this ab- solute tragic experience . Aristotle THE NATURE OF ...
... kind of cosmic terror was never recorded by Aris- totle , although his admiration for Sophocles makes us suspect that , in the theatre , at least , he was not a stranger to this ab- solute tragic experience . Aristotle THE NATURE OF ...
الصفحة 279
... kind of heroic evils whatsoever . Of Comedies the matter is love , lust , lechery , bawdry , scortation , adultery , uncleanness , pollution , wantonness , chambering , courting , jesting , mocking , flouting , foolery , venery ...
... kind of heroic evils whatsoever . Of Comedies the matter is love , lust , lechery , bawdry , scortation , adultery , uncleanness , pollution , wantonness , chambering , courting , jesting , mocking , flouting , foolery , venery ...
الصفحة 700
... kind of staging I have indicated , because it needs to get through its eyes a kind of impression which , up to a given point , can equal the unexampled emotional power of the score . Light is the only medium which can continuously ...
... kind of staging I have indicated , because it needs to get through its eyes a kind of impression which , up to a given point , can equal the unexampled emotional power of the score . Light is the only medium which can continuously ...
المحتوى
INTRODUCTION | xv |
Theory and Criticism of Tragedy 21 22235 | 21 |
from the Deipnosophists | 39 |
حقوق النشر | |
54 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action actor Aegisthus Aeschylus Agamemnon ancient appear Aristotle artist audience beautiful Brecht called century character chorus Clytemnestra comedy comic costume Craig critics death Dionysus Disdemona drama dramatist effect Electra Elizabethan emotion English Epic Epic Theater Euripides eyes fact father feel French genius give Greek Hamlet hand Henry Irving human Ibsen idea imagination imitation Isaac kind King light living London Macbeth manner means Melians mind modern Molière Moor moral Mourning Becomes Electra murder nature neoclassical never Oedipus Orestes Othello painted passion PEDROLINO performance person piece play playwright plot poet poetic poetry present production realistic reason rehearsals rôle Roman scene scenery seems sense Shakespeare Sophocles soul speak spectator spirit stage Stanislavski story style theatre theatrical thee Thespis things thou thought tion tragedy tragic true truth unto whole wife words writing