Theatre and Drama in the Making, المجلد 1Houghton Mifflin, 1964 - 1071 من الصفحات |
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الصفحة 68
... never presented to the senses . She lies under the veil of appearances , but is herself never apparent . To the art of the ideal alone is lent , or rather , abso- lutely given , the privilege to grasp the spirit of the All , and bind it ...
... never presented to the senses . She lies under the veil of appearances , but is herself never apparent . To the art of the ideal alone is lent , or rather , abso- lutely given , the privilege to grasp the spirit of the All , and bind it ...
الصفحة 361
... never a more unfounded complaint . It appears that he has never read Sopho- cles , whom he unjustly [ incorrectly ] praises for a great multiplicity of events ; and that he has never even read the Poetics except [ for quotations ...
... never a more unfounded complaint . It appears that he has never read Sopho- cles , whom he unjustly [ incorrectly ] praises for a great multiplicity of events ; and that he has never even read the Poetics except [ for quotations ...
الصفحة 407
... never bear any other ; and I once more therefore insist upon it , that whoever can be absurd enough to shake off a burden which the great Corneille was obliged to carry , would be looked upon , and with great reason , not as a bold and ...
... never bear any other ; and I once more therefore insist upon it , that whoever can be absurd enough to shake off a burden which the great Corneille was obliged to carry , would be looked upon , and with great reason , not as a bold and ...
المحتوى
INTRODUCTION | xv |
Theory and Criticism of Tragedy 21 22235 | 21 |
from the Deipnosophists | 39 |
حقوق النشر | |
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action actor Aegisthus Aeschylus Agamemnon ancient appear Aristotle artist audience beautiful Brecht called century character chorus Clytemnestra comedy comic costume Craig critics death Dionysus Disdemona drama dramatist effect Electra Elizabethan emotion English Epic Epic Theater Euripides eyes fact father feel French genius give Greek Hamlet hand Henry Irving human Ibsen idea imagination imitation Isaac kind King light living London Macbeth manner means Melians mind modern Molière Moor moral Mourning Becomes Electra murder nature neoclassical never Oedipus Orestes Othello painted passion PEDROLINO performance person piece play playwright plot poet poetic poetry present production realistic reason rehearsals rôle Roman scene scenery seems sense Shakespeare Sophocles soul speak spectator spirit stage Stanislavski story style theatre theatrical thee Thespis things thou thought tion tragedy tragic true truth unto whole wife words writing