Theatre and Drama in the Making, المجلد 1Houghton Mifflin, 1964 - 1071 من الصفحات |
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الصفحة 356
... things which are believable . In order to resolve this difficulty and discover the nature of this “ im- possible believable " about which he gives no example , I answer that there are some things impossible in themselves which appear to ...
... things which are believable . In order to resolve this difficulty and discover the nature of this “ im- possible believable " about which he gives no example , I answer that there are some things impossible in themselves which appear to ...
الصفحة 437
... things , and with a purpose to treat of sacred things ; they ought to be understood acordingly [ sic ] : But when they are otherwise apply'd , the Diversity of the Subject gives a Diversity of Signification . And in truth , he might as ...
... things , and with a purpose to treat of sacred things ; they ought to be understood acordingly [ sic ] : But when they are otherwise apply'd , the Diversity of the Subject gives a Diversity of Signification . And in truth , he might as ...
الصفحة 651
... things , and this should have the effect of making his speech simpler . Later , within perhaps not more than seven or eight years , there would come a reaction , a conflict precisely with these things . At this time , however ...
... things , and this should have the effect of making his speech simpler . Later , within perhaps not more than seven or eight years , there would come a reaction , a conflict precisely with these things . At this time , however ...
المحتوى
INTRODUCTION | xv |
Theory and Criticism of Tragedy 21 22235 | 21 |
from the Deipnosophists | 39 |
حقوق النشر | |
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action actor Aegisthus Aeschylus Agamemnon ancient appear Aristotle artist audience beautiful Brecht called century character chorus Clytemnestra comedy comic costume Craig critics death Dionysus Disdemona drama dramatist effect Electra Elizabethan emotion English Epic Epic Theater Euripides eyes fact father feel French genius give Greek Hamlet hand Henry Irving human Ibsen idea imagination imitation Isaac kind King light living London Macbeth manner means Melians mind modern Molière Moor moral Mourning Becomes Electra murder nature neoclassical never Oedipus Orestes Othello painted passion PEDROLINO performance person piece play playwright plot poet poetic poetry present production realistic reason rehearsals rôle Roman scene scenery seems sense Shakespeare Sophocles soul speak spectator spirit stage Stanislavski story style theatre theatrical thee Thespis things thou thought tion tragedy tragic true truth unto whole wife words writing