Analytical Sourcebook of Concepts in Dramatic TheoryBloomsbury Academic, 21/08/1981 - 560 من الصفحات Product information not available. |
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الصفحة 181
... humor , we can no longer be satisfied with that type of generalization . Using abstractly the type of English humor , Taine puts Swift , Fielding , Sterne , Dickens , Thackeray , Sydney Smith and Carlyle all together , and even includes ...
... humor , we can no longer be satisfied with that type of generalization . Using abstractly the type of English humor , Taine puts Swift , Fielding , Sterne , Dickens , Thackeray , Sydney Smith and Carlyle all together , and even includes ...
الصفحة 202
... humor is one that inevitably dismantles , splits and disrupts , whereas art taught in the schools by Rhetoric was primarily external composition , a logically ordered concordance . ( 31 ) . . . Humor requires above all an intimacy of ...
... humor is one that inevitably dismantles , splits and disrupts , whereas art taught in the schools by Rhetoric was primarily external composition , a logically ordered concordance . ( 31 ) . . . Humor requires above all an intimacy of ...
الصفحة 203
... humor consists of ? Not at all . The limitation of the ideal , if anything , would be not the cause but rather the result of the particular psychological process which is called humor . Let us therefore forget , once and for all , about ...
... humor consists of ? Not at all . The limitation of the ideal , if anything , would be not the cause but rather the result of the particular psychological process which is called humor . Let us therefore forget , once and for all , about ...
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1570 Castelvetro 1660 Corneille 1808 Schlegel SCL 1871 Nietzsche 4th cent action actor Addison AW AESTHETIC AFFECT Artaud artistic audience B.C. Aristotle AP BBBG beautiful Brecht CATHARSIS character Chekhov CLOSURE CLSW comedy comic CONFLICT Corneille critic d'Aubignac delight Diderot drama Dryden DW Eliot emotions Epic poetry EPIC THEATRE Euripides expression fear feeling GENRE DEFINITION GEST Goethe Hazlitt HW Hegel HERO human HUMOR idea IDEALISM ILLUSION imagination IMITATION individual INSTRUCTION Johnson language MAGNITUDE means METAPHOR mind Molière moral nature object Oscar Levy passions pathos persons Pirandello pity play pleasure PLOT poem poet POETIC JUSTICE poetry PROBABILITY REALISM reality representation represented RULES Scaliger scene Schlegel sense Shakespeare Shaw SPECTACLE spectator stage Stanislavski STYLE SUBJECT SYMBOL taste things THOUGHT THREE UNITIES tion tragedy tragic true truth VAWP Voltaire whole words