Analytical Sourcebook of Concepts in Dramatic TheoryBloomsbury Academic, 21/08/1981 - 560 من الصفحات Product information not available. |
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الصفحة 329
Oscar L. Brownstein, Daphna Ben-Chaim. POETIC JUSTICE The closure of drama is identified as demonstrating poetic justice when a moral lesson is illustrated . This concept was a doctrine of neoclassical dramatic theory , primarily , but ...
Oscar L. Brownstein, Daphna Ben-Chaim. POETIC JUSTICE The closure of drama is identified as demonstrating poetic justice when a moral lesson is illustrated . This concept was a doctrine of neoclassical dramatic theory , primarily , but ...
الصفحة 332
... justice . Who were the first that established this rule I know not ; but I am sure it has no foundation in nature , in reason , or in the practice of the ancients . We find that good and evil happen alike to all men on this side of the ...
... justice . Who were the first that established this rule I know not ; but I am sure it has no foundation in nature , in reason , or in the practice of the ancients . We find that good and evil happen alike to all men on this side of the ...
الصفحة 510
... JUSTICE . MOTIVATION see under ACTION , IRONY . NOVELTY . OBJECTIVITY see under DRAMA . ORDER see under AESTHETIC , AFFECT , CLOSURE , DRAMA . PATHOS see under CLOSURE . PITY compare with DISTANCE . PLOT ; see also under ACTION , GENRE ...
... JUSTICE . MOTIVATION see under ACTION , IRONY . NOVELTY . OBJECTIVITY see under DRAMA . ORDER see under AESTHETIC , AFFECT , CLOSURE , DRAMA . PATHOS see under CLOSURE . PITY compare with DISTANCE . PLOT ; see also under ACTION , GENRE ...
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1570 Castelvetro 1660 Corneille 1808 Schlegel SCL 1871 Nietzsche 4th cent action actor Addison AW AESTHETIC AFFECT Artaud artistic audience B.C. Aristotle AP BBBG beautiful Brecht CATHARSIS character Chekhov CLOSURE CLSW comedy comic CONFLICT Corneille critic d'Aubignac delight Diderot drama Dryden DW Eliot emotions Epic poetry EPIC THEATRE Euripides expression fear feeling GENRE DEFINITION GEST Goethe Hazlitt HW Hegel HERO human HUMOR idea IDEALISM ILLUSION imagination IMITATION individual INSTRUCTION Johnson language MAGNITUDE means METAPHOR mind Molière moral nature object Oscar Levy passions pathos persons Pirandello pity play pleasure PLOT poem poet POETIC JUSTICE poetry PROBABILITY REALISM reality representation represented RULES Scaliger scene Schlegel sense Shakespeare Shaw SPECTACLE spectator stage Stanislavski STYLE SUBJECT SYMBOL taste things THOUGHT THREE UNITIES tion tragedy tragic true truth VAWP Voltaire whole words