Analytical Sourcebook of Concepts in Dramatic TheoryBloomsbury Academic, 21/08/1981 - 560 من الصفحات Product information not available. |
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الصفحة 211
... actual reality , but a dream having the appearance of reality , that is , of a reality which is dream - like , fantastic , and non - actual . ( 75-76 ) ... In more than one place ... [ Ariosto ] openly shows that he is conscious of the ...
... actual reality , but a dream having the appearance of reality , that is , of a reality which is dream - like , fantastic , and non - actual . ( 75-76 ) ... In more than one place ... [ Ariosto ] openly shows that he is conscious of the ...
الصفحة 260
... actual character , some scene in real life , high or low , and [ is ] asked to furnish a description of it .... What is expected of [ the artist ] is , not to record every word and motion , all the actions of the personage , or the ...
... actual character , some scene in real life , high or low , and [ is ] asked to furnish a description of it .... What is expected of [ the artist ] is , not to record every word and motion , all the actions of the personage , or the ...
الصفحة 262
... actual life is always the material , and on the other hand an abstraction from actual life is a necessary condition to the creation of the work of art . ( 11 ) 1930 Shaw SCP Between the two extremes of actual portraiture and pure fancy ...
... actual life is always the material , and on the other hand an abstraction from actual life is a necessary condition to the creation of the work of art . ( 11 ) 1930 Shaw SCP Between the two extremes of actual portraiture and pure fancy ...
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1570 Castelvetro 1660 Corneille 1808 Schlegel SCL 1871 Nietzsche 4th cent action actor Addison AW AESTHETIC AFFECT Artaud artistic audience B.C. Aristotle AP BBBG beautiful Brecht CATHARSIS character Chekhov CLOSURE CLSW comedy comic CONFLICT Corneille critic d'Aubignac delight Diderot drama Dryden DW Eliot emotions Epic poetry EPIC THEATRE Euripides expression fear feeling GENRE DEFINITION GEST Goethe Hazlitt HW Hegel HERO human HUMOR idea IDEALISM ILLUSION imagination IMITATION individual INSTRUCTION Johnson language MAGNITUDE means METAPHOR mind Molière moral nature object Oscar Levy passions pathos persons Pirandello pity play pleasure PLOT poem poet POETIC JUSTICE poetry PROBABILITY REALISM reality representation represented RULES Scaliger scene Schlegel sense Shakespeare Shaw SPECTACLE spectator stage Stanislavski STYLE SUBJECT SYMBOL taste things THOUGHT THREE UNITIES tion tragedy tragic true truth VAWP Voltaire whole words