Analytical Sourcebook of Concepts in Dramatic TheoryBloomsbury Academic, 21/08/1981 - 560 من الصفحات Product information not available. |
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النتائج 1-3 من 66
الصفحة 51
... called Stylization . On the contrary the success of the alienating effect is dependent on the lightness and naturalness of the whole procedure . And when the actor comes to examine the truth of this performance - a necessary operation ...
... called Stylization . On the contrary the success of the alienating effect is dependent on the lightness and naturalness of the whole procedure . And when the actor comes to examine the truth of this performance - a necessary operation ...
الصفحة 203
... called humor . Let us therefore forget , once and for all , about ideals , faith , aspirations , and so forth . ( 93 ) ... During the conception of all works of humor , reflection is not hidden , it does not remain invisible : it is not ...
... called humor . Let us therefore forget , once and for all , about ideals , faith , aspirations , and so forth . ( 93 ) ... During the conception of all works of humor , reflection is not hidden , it does not remain invisible : it is not ...
الصفحة 214
... called Emulation , produces in us an insatiable desire of Honour , and elevates our Courage to undertake any thing that may effect that Glorious Design . ( 1 : 4 ) See also d'Aubignac under PATHOS ( AAS 3 : 40-44 ) , SUBJECT ( AAS 2 ...
... called Emulation , produces in us an insatiable desire of Honour , and elevates our Courage to undertake any thing that may effect that Glorious Design . ( 1 : 4 ) See also d'Aubignac under PATHOS ( AAS 3 : 40-44 ) , SUBJECT ( AAS 2 ...
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1570 Castelvetro 1660 Corneille 1808 Schlegel SCL 1871 Nietzsche 4th cent action actor Addison AW AESTHETIC AFFECT Artaud artistic audience B.C. Aristotle AP BBBG beautiful Brecht CATHARSIS character Chekhov CLOSURE CLSW comedy comic CONFLICT Corneille critic d'Aubignac delight Diderot drama Dryden DW Eliot emotions Epic poetry EPIC THEATRE Euripides expression fear feeling GENRE DEFINITION GEST Goethe Hazlitt HW Hegel HERO human HUMOR idea IDEALISM ILLUSION imagination IMITATION individual INSTRUCTION Johnson language MAGNITUDE means METAPHOR mind Molière moral nature object Oscar Levy passions pathos persons Pirandello pity play pleasure PLOT poem poet POETIC JUSTICE poetry PROBABILITY REALISM reality representation represented RULES Scaliger scene Schlegel sense Shakespeare Shaw SPECTACLE spectator stage Stanislavski STYLE SUBJECT SYMBOL taste things THOUGHT THREE UNITIES tion tragedy tragic true truth VAWP Voltaire whole words