Analytical Sourcebook of Concepts in Dramatic TheoryBloomsbury Academic, 21/08/1981 - 560 من الصفحات Product information not available. |
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الصفحة 254
... common language ... has acquired a clearer and clearer knowledge of the peculiarities of objects ... then will Style reach the highest point it is capable of .... Simple Imitation springs from quiet existence and an agreeable subject ...
... common language ... has acquired a clearer and clearer knowledge of the peculiarities of objects ... then will Style reach the highest point it is capable of .... Simple Imitation springs from quiet existence and an agreeable subject ...
الصفحة 278
... common sense and reason . . . The impressions of common sense and strong imagination , that is , of passion and indifference , cannot be the same , and they must have a separate language to do justice to either . ( 5 : 8 ) ... There is ...
... common sense and reason . . . The impressions of common sense and strong imagination , that is , of passion and indifference , cannot be the same , and they must have a separate language to do justice to either . ( 5 : 8 ) ... There is ...
الصفحة 349
... common to all mankind is far elder and lies infinitely deeper than [ the idealistic ] explanation of the origin of our perceptions , an explanation skimmed from the mere surface of mechanical philosophy . It is the table itself , which ...
... common to all mankind is far elder and lies infinitely deeper than [ the idealistic ] explanation of the origin of our perceptions , an explanation skimmed from the mere surface of mechanical philosophy . It is the table itself , which ...
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1570 Castelvetro 1660 Corneille 1808 Schlegel SCL 1871 Nietzsche 4th cent action actor Addison AW AESTHETIC AFFECT Artaud artistic audience B.C. Aristotle AP BBBG beautiful Brecht CATHARSIS character Chekhov CLOSURE CLSW comedy comic CONFLICT Corneille critic d'Aubignac delight Diderot drama Dryden DW Eliot emotions Epic poetry EPIC THEATRE Euripides expression fear feeling GENRE DEFINITION GEST Goethe Hazlitt HW Hegel HERO human HUMOR idea IDEALISM ILLUSION imagination IMITATION individual INSTRUCTION Johnson language MAGNITUDE means METAPHOR mind Molière moral nature object Oscar Levy passions pathos persons Pirandello pity play pleasure PLOT poem poet POETIC JUSTICE poetry PROBABILITY REALISM reality representation represented RULES Scaliger scene Schlegel sense Shakespeare Shaw SPECTACLE spectator stage Stanislavski STYLE SUBJECT SYMBOL taste things THOUGHT THREE UNITIES tion tragedy tragic true truth VAWP Voltaire whole words